By Kristen Davis • Contributing writer

Triple-threat musician Bryan McDowell was first introduced to bluegrass music as a young child while riding in the car with his parents. His father taught him and his sister, Emma, how to identify the sounds of the different instruments and would quiz them on the new knowledge.

“By the time I was 3 or 4, I could tell anybody what instrument was playing when they took a solo,” said Canton native McDowell, now 19 years old.

By age 5, McDowell liked the sound of the fiddle best, so he and his sister played with their parents at local churches as “The McDowell Family Band.” At age 9, McDowell began taking lessons from Arvil Freeman, the renowned old-time fiddler who is a native of Madison County. After the fiddle, the musically precocious pre-teen took up the mandolin and then the guitar.

Several years later in 2009, McDowell became the first musician in the history of the Walnut Valley Festival in Winfield, Kansas, (known as “Winfield”) to win first place in all three instrument categories — flat-pick guitar, fiddle and mandolin. McDowell’s two band mates and friends, Brandon Davis and Eric Hardin, won second and third place respectively in the flat-pick guitar competition. First known as “4 Fret Knot” then “Second Circle,” the three musicians now perform as the “Winfield Three.”

McDowell has not slowed down his big “year of firsts” in 2009. This fall, he has won the Galax Fiddlers Convention Guitar Competition, another mandolin championship at Winfield and the Georgia State championships for the flat-pick guitar, fiddle and mandolin.

Right before this year’s Winfield festival in September, McDowell released his first album, “The Contestant,” which is a compilation of his contest tunes and arrangements that he has played over the last two years.

“A lot of people were curious about how I actually sounded in the contest, so I tried to record something that depicted how I sound in the contest,” McDowell said. “It was a success in that it is like a snapshot of my playing at the time.”

To make the recordings sound as much like his live performance as possible, he would listen to the live recording or watch a video of his performance, he added.

While the songs on his “Contestant” album are traditional bluegrass tunes that he has embellished, his next album, which he is currently crafting, will include original material. Compared to the first, this next album will be “different by a long shot” because he has developed a different style, the singer-songwriter said. The album should be released within a year.

“Bryan has got his own style of playing,” said Freeman, who taught fiddle lessons to both McDowell and his sister, Emma. “While teaching him, that’s what I taught him to do — not play exactly like me, but take what I taught him and create his own style.”

McDowell’s approach to the fiddle is more progressive and jazz-like, whereas Freeman’s playing involves more bluegrass, country and “a little swing,” Freeman explained.

McDowell’s style has also been influenced by the bluegrass gospels song he played while performing with his parents and sister in their family band, said Donna McDowell, Bryan McDowell’s mother.  

“We always tried to pick music with a gospel message that would speak to people,” Donna McDowell added. “He still does some gospel, but he does a lot of other things. The biggest thing I see in his playing — I call it finesse. He has this really smooth style that folks enjoy listening to.”

Over the past two years, people all over the country have had the opportunity to hear Bryan McDowell play at shows and competitions — in Maine, New York, Colorado and throughout the southeast.  

When McDowell was a young boy, his family saw famous country-bluegrass singer/songwriter/fiddler Alison Krauss in concert and met her backstage. Krauss told her young fans, “If you play the music you love, you’ll always have an audience.” That truism has stuck with McDowell and his sister, their mother said.

Now, in addition to writing songs for his new album, McDowell is teaching music lessons in Waynesville.

“I want [the music] to be passed on,” McDowell said. “That’s how the music world is. You can’t be learning something and not pass it on to others, otherwise the music dies with you. That’s an idea [Freeman] instilled in me.”

As for his future plans, McDowell said he wants to focus on recording his music and playing shows with Davis and Hardin as “The Winfield Three.” Having won all the major competitions for the instruments he plays, he has his sights set on turning his musical passion into a feasible living. He is considering getting a college education, most likely in business rather than music.

“I was kind of ready to be done with contests,” McDowell added. “There’s a point when it’s kind of hypocritical to say that one musician is better than another one. At competitions, there’s a lot musicians can teach each other on any given day.”

Freeman said he hopes to see his former student pursue studio work rather than playing in a band long-term.

“I would love nothing more than to make a living playing music,” McDowell said. “Even if that wasn’t my main job, I never see myself laying down the instruments. I’d always have to be playing.”

For music clips and booking information, visit his web site: www.bryanmcdowellmusic.com.

By Christi Marsico • Staff Writer

Little girls clacked their clogging shoes while families ate hushpuppies and barbecue in anticipation for the band, Balsam Range, to play at the Fiddlin’ Pig in Asheville last Friday night.

Teens in camouflage hats and T-shirts checked out the band’s CDs while the Southern Mountain Fire clogging team strolled through the restaurant claiming their turf and sizing up the onlookers.

Like five train cars hooked together cruising down the track, the musicians of Balsam Range announced their presence.

“We’re having fun already so you might as well go with us,” bass player Tim Surrett said.

Balsam Range performed a smattering of songs from their repertoire, including a few numbers from their latest CD release “Last Train to Kitty Hawk” while some listeners kicked up their heels and others relaxed.

Spread over two picnic tables was the church group from Rocksprings Baptist Church in Crabtree.

Wearing a pink sweater with a napkin in her lap, Frances Clark said seeing Balsam Range at the Fiddlin’ Pig was better than going to Dollywood.

Charlie Simpson, pastor of Rocksprings Baptist Church, believes Balsam Range’s music has made a lasting impression on the local music scene for generations to come.

“Buddy Melton has researched the history and sees who we are and not who we are influenced by,” Simpson said.

Rocksprings Baptist Church member Marlene Hills is a big Balsam Range fan, adding “they seem to work so well together, like peanut butter and jelly. They are an asset to Western North Carolina and represent what Appalachian music is all about.”

As the band took five they talked to The Smoky Mountain News about their latest CD and a few other musical anecdotes.

Balsam Range, based in Haywood County, is comprised of Marc Pruett on banjo, Caleb Smith on guitar, Darren Nicholson on mandolin, Tim Surrett on bass, and Buddy Melton on fiddle. All five sing lead on some songs and bring aspects of bluegrass, gospel and country music steeped in an Appalachian-meets-Grand Ole Opry style to their performances.

Smith’s favorite song off the latest CD is the title song “Last Train to Kittyhawk.” The guitarist feels the bands background sets them apart from other bluegrass ensembles.

“Our versatility is a big deal. People don’t expect to hear the diversity we bring, and not a lot of people are doing that,” Smith said.

Surrett declared he “plays the bass with a Led Zeppelin mentality,” and is grateful for the support Balsam Range has had.

“I never call people fans because I am making friends,” Surrett said. “It’s really nice to play this quality of music and go home at night.”CD release concert

Q&A

So what is Balsam Range currently listening to when they are not performing?

Smith: Miles Davis

Melton: Osmond Brothers, Journey

Surrett: Miles Davis

Pruett: Louis Armstrong

Nicholson: Joe Nichols, Osmond Brothers

What advice would these bluegrass professionals give to younger musicians?

Smith: “Work together and do positive things.”

Melton: “Be comfortable with your own personal limitations. To do something great surround yourself with great musicians.”

Surrett: “Practice and learn to play together.”

Pruett: “Be open minded to growing. Be humble. Treat people fairly and have fun. Don’t let it consume you, and treat it as a business.”

Nicholson: “Be good to folks. Stay true to yourself, and play to the best of your abilities.”

How they would describe the band and/or their latest CD in one word:

Smith: “Influenced”

Melton: “Interesting”

Surrett: “Teamwork”

Pruett: “Productive”

Nicholson: “Sexy”

The term “contemporary bluegrass” is open to a ridiculous amount of interpretation. For some it signifies anything that strays even a little beyond the template set by Ralph Stanley, Lester Flatt and Earl Scruggs — which means that damn near everything we hear nowadays that falls under the heading of bluegrass is “contemporary.”

By Chris Cooper

Two things still stick in my mind about Darren Nicholson’s excellent self-titled 2006 release; state of the art musicality married to a completely down to earth attitude, whether in person or on disc. Nicholson’s mastery in bluegrass mandolin has earned him no shortage of acclaim, some of which came in the form of an IBMA award for his work with Alecia Nugent.

By Sarah Kucharski • Staff Writer

Balsam Range, a newly formed group of all-star pickers, will play a free concert at 7:30 p.m. Friday, March 16 at Haywood Community College.

By Chris Cooper

It’s not unusual in music circles for one’s sound to be recognizable but the name to be mostly unknown. Such is the case for bluegrass veteran Curly Seckler.