It has been said that the best place to start a story is at the beginning. With the first page of John Lane’s new novel Whose Woods These Are (Mercer University Press, 2020, 224 pg.) we literally begin at the beginning. “The first woods grew up far back in time, ancient as the last Ice Age, back beyond any notion we would call now.” After a brief description of how a woodlands came to be formed and how it looked through the ages up until the present day, we find ourselves in the western-most uplands of South Carolina and in the woods with two families who own hundreds, if not thousands, of acres of undeveloped property and living side by side. 

Every once in a while, I’ll read a book of history and want to throw a party: bottles of champagne, hors d’oeuvres, music, and even dancing, though I am as awkward on a dance floor as a Mississippi farm boy on ice skates for the first time. Encountering such a book leaves me giddy, “High as the flag on the Fourth of July,” as the song in the old musical “South Pacific” puts it.

It’s September 2020, and you’d have to be living as an anchorite in the deserts of New Mexico if you are unaware of the turmoil in American society. The coronavirus crisis, the riots in various American cities, the daily bombardment of charges and countercharges from candidates for political office, members of the mainstream media, bloggers, and anyone else with an ax to grind: all provide evidence that we are as deeply divided a country as possible without actually engaging in civil war.

“We are here on this earth separated from God, so that we might learn and grow.” — Jedidiah Robbins

If there’s anything to the bumperstickers that read “Buy Local” (and I think there is), then that not only applies to the food produced in our region but the literature too.

For five years, just after we were married, my wife and I were house parents for a sorority at the University of Virginia, responsible for the upkeep of the building and for the safety and behavior of the 20 young women who resided in the old brick home. 

We are, at our core, remembering and story-making creatures, and stories are one of the chief ways we find meaning in the flow of events.

Historical consciousness is to civilized society what memory is to individual will. 

When I find an author I like, I usually get on a roll reading several of their books. Such was and has been the case with Sue Monk Kidd. I started off with her most recent novel The Book of Longings, then went to the Jackson County Public Library in Sylva and borrowed a copy of The Mermaid Chair, another novel. Still wanting more, I branched out into some of her nonfiction as I wanted to get into the author’s head. To do this, I went to the library again and read the book she wrote with her daughter, Ann Kidd Taylor, titled Traveling With Pomegranates. Having already reviewed The Book of Longings in this paper, in this review I’m going to try and flush out two birds with one drone.

The ancient philosopher Diogenes used to stroll about Athens holding a lantern to the faces of those he met and claiming he was looking for one honest man.

In the public square of modern America, truth can be just as hard to find.

A friend in a book club to which I once belonged disliked Anne Tyler’s novel, Saint Maybe. “I’ve read other novels by her,” she said, “and her characters are always eccentrics.”

Her comment brought a smile then and brings one now.

The years following the Civil War brought great changes to Western North Carolina. The railroads penetrated these coves and mountains, carrying tourists, flat-landers and goods to small towns previously isolated by their forbidding terrain. Following the railroads were the timber barons, eager to harvest the ancient forests and able now to move and sell the lumber to outside buyers. Though many of those native to the region remained in poverty, others were able to make their fortunes in the mountains.