About two months ago, I began culling books from my shelves. I live in an apartment with several thousand books, most on shelves, some stacked in closets, some thrust under beds or packed in a storage space in boxes. This weeding-out was, as usual, neither orderly nor effective. Even a casual observer of my rooms would note no difference in the number of books.

Some 30 years ago, I saw a disturbing film entitled “Koyaanisqatsi.” The title comes from a Hopi word meaning “unbalanced life.” Essentially, this film (which has no dialogue) consisted of disturbing images of our planet: abandoned cities, vistas of barren earth and surreal sequences in which our technology seemed out of control. When people appeared in the film, they seemed lonely, trapped and irrelevant. 

In the last decade, British authorities uncovered evidence of massive sexual abuse and human trafficking in Rotherham, South Yorkshire. Two years ago, in a blistering investigative report, Professor Alexis Jay and her committee conservatively estimated that 1,400 English girls had been sexually abused or traded for goods and favors by a network of older men, mostly British-Pakistani Muslims. The committee charged both police and social workers with negligence and in some cases, with deliberately overlooking the sexual assaults for fear of offending minority communities. Further investigations revealed other communities where such abuse was either ignored or unreported.

Back in the days when I still believed in Santa Claus (well, actually I still believe, I just no longer feel comfortable sitting on his lap), Mother’s Day rolled around one year, and I asked my mom why there was no Children’s Day. “Because,” she replied firmly, “every day is Children’s Day.”

In Withering Slights: The Bent Pin Collection (National Review Books, 2015, ISBN 978-0-9847650-3-4, 186 pages, $24.95), Florence King demonstrates once again why she remains, even in poor health, one of America’s most biting and genuinely funny social and political critics.

The growing threat of drought in the Southeast and the problems of “water politics” has prodded the memory of many legislators and ecologists to anxiously recall the snail darter controversy.

Spartanburg poet and nonfiction writer John Lane has broken out of his comfort zone and journeyed into the netherworld of the novel and Appalachian noir. Joining company with Ron Rash, Charles Frazier, Wayne Caldwell, Wiley Cash, Pam Duncan and David Joy, Lane has maybe even raised the bar a bit by dovetailing the upstate South Carolina textile mill culture with that of the Western North Carolina farming communities. Talk about conflict! In Fate Moreland’s Widow, conflict crosses state lines and cultures and embodies the tensions and inequities in characters redolent of the haves and the have-nots and of labor unions vs. the business elite on both sides of clearly drawn lines.

Many Americans — and I count myself among them — are often hard on Europeans when it comes to issues like national defense, appeasement, and willingness to stand up to enemies. We belittle their failure to resist recent Russian intrusions in the Ukraine, we urge them to take a stronger stand in the Middle East, and we shake our heads at their lack of military preparedness.

Irish novelist Kennedy Marr is making millions of dollars through the sale of his books and as a Hollywood scriptwriter. Directors vie for his scripts, actresses and actors want to perform in his movies, and a university in England offers him a fabulous sum to teach for one year.

Like some other readers I know, my taste in books these last 20 years or so has shifted from fiction to non-fiction, especially history, biography, and literary studies. I still follow certain novelists — Anne Tyler, Pat Conroy, James Lee Burke, and others — and still review novels for this paper, but find that works of fiction simply don’t appeal as much as when I was in my twenties and thirties, when I read stacks of novels and poetry.