Valentine’s Day is almost here, and I have fallen in love. Again.

Three years ago, Nina George entranced me with her novel The Little Paris Bookshop. Ah, Nina, Nina, Nina: she won my heart, and I still open that fine tale once a month or so, rereading certain passages and always delighted by her romantic take on life and the ways of the human heart. 

When someone dies, we look for words to assuage our grief and the grief of others. We deliver eulogies, we offer prayers, we console those left behind, we sing hymns or other songs beloved by the deceased, we read from various books — the Bible, poems, bits and pieces of prose — to send the departed one into the earth. Often, too, we gather after the funeral for food and drink, and recollect our dead by sharing memories of their deeds and words while they still lived.

I used to teach seminars in composition, history, literature, and Latin to homeschool students. One day a bright young man who later entered Brown University asked me what I thought of the Harry Potter books.

“My kids loved them,” I replied.

My online dictionary defines hagiography as “the writing of the lives of the saints, adulatory writing about another person, or biography that idealizes another person.” The dictionary adds that the last two terms are “derogatory.”

While reading Maxwell King’s The Good Neighbor: The Life and Work of Fred Rogers (Abrams Press, 2018, 405 pages), that word kept coming to mind. Sometimes it seems Mr. Rogers, the host of television’s Mr. Rogers’ Neighborhood, floats off these pages wearing a halo and wings, strumming a harp and singing “It’s A Beautiful Day In The Neighborhood.” Was Maxwell King, former editor of the Philadelphia Inquirer, former CEO of The Pittsburgh Foundation, and one-time director of the Fred Rogers’ Center for Early Learning and Children’s Media, mesmerized by Rodgers? Could a nationally known figure, a star, really be this kind?

Let’s start the new year with some old books.

We begin with two suppositions.

First, you are a good person who abides by a moral code. Whatever its source, this code serves as your set of principles, an ethical standard you cannot violate without damaging your soul. The code is your Ten Commandments, your Constitution, the offering on the high altar of all that you hold true and good.

So many books, so little time.

Many booklovers may have uttered that old saw with a sigh, but in my case these words have never been truer. On my spare desk a stack of books sits waiting for review, three more wave to me from a bedside stand, and two are calling to me from the steps leading from my apartment to the upstairs. Here are books from three different libraries, books sent in the mail for review, books picked up from the library sale. In addition, I am still working my way through Will and Ariel Durant’s The Story of Civilization, trying to read at least half an hour every day in order to finish the 11-volume series by the end of the year.

When I was teaching homeschool students in AP Literature, I would on occasion ask them to write a sonnet. The first time I did so, I promised to write a sonnet with them. The writing of that sonnet hooked me, and I eventually composed around 30 such poems. Below is one of them, “To My Errant Cousins.” Robert Frost, who famously said that free verse is like playing tennis without a net, provided my inspiration.

Fierce. Honest. Libertarian. 

Those are just three of the reasons why author and professor Camille Paglia has fascinated me for years. She speaks her own mind, uses logic rather than histrionics to make her arguments, and is unafraid of blowback from her critics. Though a lifelong Democrat and a supporter of Bernie Sanders, she refused to vote for Hilary Clinton, regarding her as a “liar.” She has called into question climate change, despises political correctness, rejects the postmodernism that has wormed its way into our universities, and has taken to task our current obsession with transgender issues.

The writers who lived and practiced their art between the two world wars of the twentieth century continue to exert a powerful pull on today’s imagination. Woody Allen’s film “Midnight In Paris,” which include a dozen or more celebrities of 1920s Paris; “Genius,” the movie about Thomas Wolfe, reviewed earlier this year in The Smoky Mountain News; the biographies devoted to such figures as Edna St. Vincent Millay, Ernest Hemingway, William Faulkner, and F. Scott Fitzgerald all reveal a continued infatuation with that era.

So there I was on a Wednesday afternoon in October in one of my favorite spots in town: the public library. I’m running my eyes along the “New Books: Nonfiction” shelves when the cookbooks grab my attention.

Now, I myself own several cookbooks: a Betty Crocker that has seen much better days and opens automatically to the recipe for quiche; The Pat Conroy Cookbook, probably my favorite, not because of the recipes, but because of Conroy’s zest for food and anecdotes about his life; A Man, A Plan, A Can, which I recommend to anyone who doesn’t know a spatula from a ladle; a much-stained Moosewood Cookbook; and several others. I enjoy cooking on occasion, as long as the recipes are simple and forgiving, meaning that if I put too much sauce in the lasagna or not enough spices in the chicken soup, the food will still be edible.