It was about halfway into the quirky tune “My Sweet One” when the memories started to flood my field of vision. There I was this past Sunday, surrounded by a sea of over 13,000 people, while our band Phish performed onstage in Charleston, South Carolina. 

Amid the plethora of talented bluegrass, Americana and string acts in Western North Carolina, the idea of a rock trio is more so a rarity than something one might come across in regional musical circles.

In just seven years together, the members of Sister Sadie have risen into the upper echelon of the modern bluegrass scene. 

From a Grammy nomination for “Best Bluegrass Album” (for “Sister Sadie II”) to a handful of appearances on the Grand Ole Opry, 2019 was a milestone year for the group. This past September, the band received the International Bluegrass Music Association (IBMA) award for “Vocal Group of the Year” — the first all-female act in the history of the IBMAs to do so. 

With over 2,000 folks piling into the Thomas Wolfe Auditorium in downtown Asheville for Incubus on Thursday evening, those in attendance walked away from the gathering with way more than simply “hearing the hits.”

Celebrating the 20th anniversary release of the California rock act’s breakthrough album, “Make Yourself,” the performance unfolded with a retrospective film being projected on the large backdrop behind the drum kit, the entire audience on its feet cheering along.

Longtime guitarist for legendary rock act Widespread Panic, Jimmy Herring’s sole focus as a musician is — and has always been — about creating an inclusive melodic platform with his electric six-string, by which he and other musicians onstage can stand atop and swirl around each other with ease. 

Cutting through the onslaught of monotonous bar bands and diluted midnight hour showcases like a buzz saw gone haywire, The Hooten Hallers remain one of the most mesmerizing, innovative and raucous acts on the national scene these days.

In February 2019, the Woodrow Wilson National Fellowship Foundation released the results of a nationwide poll of 41,000 Americans testing their knowledge of our country’s history. 

“The Foundation found that in the highest-performing state, only 53 percent of the people were able to earn a passing grade for U.S. history. People in every other state failed; in the lowest-performing state, only 27 percent were able to pass.” (Bold-print is from the Foundation.)

Just before he entered the main auditorium of the Duke Energy Center for the Performing Arts in Raleigh this past Thursday evening, Darren Nicholson stood back for a moment as he watched the entire bluegrass industry mingle before his eyes.

At 23, guitarist Marcus King has quickly transitioned from a prodigy into a bonafide legend on the electric six-string. 

Crisscrossing the globe since he was a teenager emerging from Greenville, South Carolina, King and his band have risen to the upper echelon of rock-n-roll and soul music, a modern-day realm inhabited by the likes of the Tedeschi Trucks Band and JJ Grey & Mofro. 

This past weekend at Kickin’ It On The Creek marked my 20th music festival in the last 27 weeks.