Old stone walls redux
(Author’s Note: While running random Internet searches, I occasionally am confronted from out of the blue, as it were, with something I wrote years ago that I’d absolutely forgotten I’d written and failed to store in my computer files. Most of the time I’m not particularly pleased with former musings that pop up in this manner, almost always seeing in them much that I wished I hadn’t written or, at the very least, done a little better job with at the time. Sometimes, however, an epistle from the past looks OK. I think to myself: “Well, that’s that ... not sure I could have done that one much better ... someone else doubtless could and will ... but that’s my best shot.” Here’s one of those few Back Then columns — originally published in Smoky Mountain News on May 16, 2001 — that falls into that category. I couldn’t, of course, resist making a few revisions here and there.)
We are attracted to those places where the forces of the natural and human worlds have come to terms with one another and live in harmony: dilapidated barns chocked full of hay; long-established but abandoned garden spots that produce showy perennials year to year on their own; and homesteads by a creek with lamplight gleaming in the window, smoke curling upward into the starry night.
Old stone walls are the epitome of this sort of balanced existence. Built with hard labor and real care by human hands using the most basic of materials, the stone walls that trace the woodlands and fields here in the mountains often assume a life of their own, existing somewhere between man’s obvious utilitarian desires and nature’s sly chaos. A stone wall that once stood up the creek from our place here on the southern slope of the Smokies near the national park boundary line was typical of most such structures.
It was surely nothing special to look at. About 50 feet in length and several feet high and wide, it wasn’t a pretentious structure by any means. Even as walls go, it was a pretty quiet wall. But it was also a clear sign of some previous family’s attempt to make a permanent statement about their residence in and care for a particular patch of ground. The wall lined a footpath that wound up the creek through a small wooded area to where a footbridge once led out into the “real” world.
These days the “real” world has encompassed that wooded area. Some years ago we spent an afternoon with a chainsaw, hoes, and bare hands reclaiming the wall from honeysuckle and poison ivy vines. Many of the stone walls and piles up on the slopes above the valley were built as a way to stack and remove field stones from areas planted in crops, mostly corn. Beyond serving as refuse areas and ways to prevent soil erosion, they are not especially attractive. But the wall through the woodland beside the creek was built as a way to define a quiet pathway — a link — between the fields and the various homesteads. It was a calculated down-to-earth rural project that was also a spiritual statement of sorts.
John Burroughs, my favorite 19th century naturalist, once observed in an essay titled “Notes By The Way” that he “often thought what a chapter of natural history might be written on ‘Life Under a Stone,’ so many of our smaller creatures take refuge there — ants, crickets, spiders, wasps, bumblebees, the solitary bee, mice, toads, snakes, and newts. What do these things do in a country without stones? A stone makes a good roof, a good shield; it is waterproof and fire-proof, and, until the season becomes too rigorous, frost-proof, too. The field mouse wants no better place to nest than beneath a large, flat stone, and the bumblebee is entirely satisfied if she can get possession of a mouse’s old or abandoned quarters.”
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Burroughs was writing about stones in general, of course, but his observations would also apply to stone walls, which are — in my opinion — incomplete without chipmunks. I always hoped a pair would take up residence in this partially tumbled-down stone wall, but they never did. Copperheads lived there. And skinks and mice. Crusted, flat lichens decorated the stones, creating fantastic maps with their doily-like patterns. Some of these slow-growing lichen patches were so large they obviously predated the wall-building itself by centuries. They were perhaps there when the first Indians walked the watershed we now reside in thousands of years ago.
When I paused and studied the wall, it was difficult to discern just where the soil of the pathway ended and the lichen-splotched stone began. These two entities had gradually assimilated, blended, and become one. This path and wall become a part of our family’s everyday existence — a designated wayfare for coming and going by daylight or starlight or moonlight. Even when we didn’t notice the wall, it ordered an important portion of our lives by its very presence. It was a soothing, undemanding, stable presence that was always there and would always be there, I supposed. After all, what can happen to a stone wall? In a single day — less than eight hours — the wall was obliterated by a bulldozer. The new owner of the land above ours on the creek cleared the area for rental cabins. It wasn’t our land or our wall. I don’t regret that I didn’t take a photograph. The sun-dappled pathway and its quiet border of hand-laid stones live on in our memories and those of our children. That’s a species of immortality, I suppose.
George Ellison wrote the biographical introductions for the reissues of two Appalachian classics: Horace Kephart’s Our Southern Highlanders and James Mooney’s History, Myths, and Sacred Formulas of the Cherokees. In June 2005, a selection of his Back Then columns was published by The History Press in Charleston as Mountain Passages: Natural and Cultural History of Western North Carolina and the Great Smoky Mountains. Readers can contact him at P.O. Box 1262, Bryson City, N.C., 28713, or at This email address is being protected from spambots. You need JavaScript enabled to view it..
