By Chris Cooper

Though Sylva might not qualify as a simmering hotbed of musical and cultural hipness, to a degree it does have it’s own thing going on. We have a reasonable variety of musicians and bands, with several — even some surprising — genres represented.

By Chris Cooper

Rafe Stefanini: Ladies Fancy

Rafe Stefanini is something of a walking encyclopedia of old-time fiddle and banjo music, having dedicated most of his life to hunting down and learning tunes both famous and obscure from all over this country.

By Chris Cooper

“Timeless” is one of those words tossed around a lot in reference to music. Everybody wants to write a song that’s “timeless,” right? A tune that sounds just as good today as it will 20 or 30 years down the line, regardless of changes in what’s thought of as “cool” — that’s the goal, correct?

By Chris Cooper

The stellar songwriting talents of Jim Lauderdale have been tapped by a “who’s who” of country music and bluegrass stars — anyone from George Strait to the Dixie Chicks, blues grandfather John Mayall to newer country upstarts like Shelby Lynne.

By Chris Cooper

If you can imagine an even more ticked-off Phil Anselmo fronting a hybrid of COC and Black Sabbath, you’ll have an idea of where mountain metal outfit Southern Cross is coming from.

By Chris Cooper

It’s all too easy to dismiss the ‘80s as an era of day-glow clothes, poofy hair and painfully lame, glossy radio friendly “pop.” And thanks to the popularity of television shows like VH1’s “I Love the ‘80s,” a generation that did most of its growing up in the ‘90s now has nothing but the worst aspects of the previous decade to stare at and be glad they missed.

By Chris Cooper

I have to admit — I really don’t know much about Kinky Friedman. I mean, most of us have certainly heard the name, but beyond what seems like the sheer novelty of being a Jewish country artist and the rather non PC nature of a few song titles (“Ride ‘Em Jew Boy” comes to mind) I can’t say I’ve ever even heard a Kinky Friedman song.

By Chris Cooper

It would be pretty tough to find someone around here that hasn’t heard at least a little about the hard working congregation of local musicians that call themselves Commonfolk.

It seems that in the realm of jam-oriented “newgrass” music, there are very clear lines between the things that work and those things that don’t.

Extended improvisations are fine, but they have to be grounded in actual songs, not mere canvases on which to scribble aimlessly. It’s great to have a variety of instruments at your disposal, but not as a novelty — that banjo player had better be able to flat-out pick. The same goes for anybody holding a mandolin, Dobro or violin.

By Chris Cooper

For all practical purposes, the County bluegrass label is also the Rebel Records label. CD’s bearing the County brand are typically (though not always) early bluegrass and old-time gems that have been saved from the clutches of obscurity, such as last year’s Curly Seckler collection That Old Book Of Mine.