Shouted, Written Down & Quoted: Paul Hoffman of Greensky Bluegrass

Within almost two decades together, Greensky Bluegrass has grown from a scrappy string band to one of the premier live stage acts currently touring the country.

Lonesome and a long way from home: John Cowan on bluegrass, life

They wanted to shake things up.

In 1971, a young Sam Bush aimed to create a new kind of bluegrass music. The legendary mandolinist was a teenager when he formed New Grass Revival. In the “classic lineup,” the group brought together the likes of Curtis Burch, Courtney Johnson and John Cowan (and later Bela Fleck).

Straight from the Source: A conversation with Marty Stuart

It’s about staying true to yourself.

When you converse with country/bluegrass legend Marty Stuart, you’re speaking to the source. From being a teenager, touring and performing side-by-side with Lester Flatt in the 1970s, to finding country radio success in the 1980s and 1990s, to his enduring work with Doc Watson and Johnny Cash, Stuart has risen into the upper echelon of Nashville icons.

SEE ALSO: Marty Stuart, Balsam Range at Lake JBalsam Range at Lake J

Lines in the Sand: Balsam Range looks ahead

The eternal struggle of bluegrass is being able to balance evolution with tradition.

How does one adhere to the pickin’ and grinnin’ ways of the old days, but also be able to stretch the boundaries into new and innovative realms? That dilemma currently lies at the feet on the bluegrass world. And yet, as that question remains, so does the internal drive by all of the genre’s musicians to ensure the preservation and perpetuation of this melodic force at the foundation of this country.

This must be the place

I underestimated it.

Stepping into the grand ballroom at the Raleigh Convention Center last Thursday morning, I really didn’t think the occasion would be as big as it actually was. It was the awards luncheon for the International Bluegrass Music Association and I was among those nominated for “Bluegrass Print/Media Person of the Year.” 

High On A Hilltop: Yonder Mountain String Band to headline Canton Labor Day

Where to from here?

It’s the lingering question within bluegrass and string circles nowadays. Amid the traditional pickers and grinners, there is an urgency arising in recent years, one that wonders just what will happen to the beloved, deeply held music once the last of the elder statesmen vanish.

Brotherhood through bluegrass: Balsam Range singer and Nashville songwriter release solo work

art frWithin the realm of melodic creativity, one word emerges — collaboration.

It’s the act of bringing resources together, whether it is lyrics, chords or simply the energy of one’s soul that inspires another. And what comes to fruition is a fusing of curiosity, passion and art. Collaboration lies at the foundation of all great music, where those close to you, from friends to fellow musicians, producers to those at the heart of the matter, each contribute to the evolution of the creative being.

From the North Country to the back country

art frThe beauty of bluegrass lies in its transparency. 

Whether you’re having a good or bad day, those emotions will filter through your voice and fingertips. You can’t hide behind the music — you are vulnerable to the listener, to yourself, and to the cosmos above. It’s a rare and beautiful thing to come across such honesty, pure intent and genuine face-to-face interaction that the music conjures in a modern, fast-paced world.

Stand tall or don’t stand at all: A conversation with Raymond Fairchild

art raymondI was told “good luck.”

In August 2012, as one of my first assignments for The Smoky Mountain News, I found myself at the doorstep of the Maggie Valley Opry House. Owned and operated by acclaimed banjoist Raymond Fairchild, I was told “good luck” when it came to actually having a civil interview with the bluegrass icon. Referred to as “crabby” or “ironclad,” I wondered just how well my sit-down with him would actually go.

The Road to Bean Blossom: Raymond Fairchild enters Bluegrass Hall of Fame

coverHeading north on State Road 135, just outside the small town of Nashville, Indiana, the stretch of pavement curves along a mountain ridge, as if you’re rolling along the spine of a snake. Though the last rays of summer are still holding strong back in Western North Carolina, fall colors had spilled onto the endless landscape of multi-colored trees and sheered cornfields in the heartland of America.

SEE ALSO: Stand tall or don’t stand at all A conversation with Raymond Fairchild

With Nashville in the rearview mirror, you roll up and down the foothills of rural Brown County. Soon, a large bright yellow sign appears to your right. You almost have to slam your brakes when it makes itself known at the last second. In big letters it states, “Bill Monroe’s Memorial Music Park & Campground — Home of the Brown County Jamboree.”

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