When the Eastern Band of Cherokee Indians took over the Cherokee Indian Hospital from the Indian Health Service in 2002, the hospital’s administrators faced a challenge.

They wanted the hospital to feel like it belonged to the community, but they inherited a building that was far from welcoming.

“People wanted to be surrounded by Cherokee things,” said Jody Adams, the hospital’s director of community relations.

The hospital’s motto “Ni-hi tsa-tse-li” means “It belongs to you,” but there was nothing Cherokee about the white walls and clinical feel inside the hospital.

Adams formed a culture committee comprised of hospital staff and community elders and turned to the Cherokee Preservation Foundation for grant funding. Susan Jenkins, executive director of the Foundation, said the hospital’s makeover mission was exactly the kind of project the organization wants to fund.

“When they came to us, we thought it was a great fit, because they would have to work with the elders and the community and reach out to the local artists,” Jenkins said.

The Foundation has contributed $20,000 per year to the hospital’s cultural makeover. Adams has overseen the projects, which partner with local artists to transform the interior spaces of the building into venues for displaying Cherokee art and culture.

When you walk in the main entrance, you can see the impact right away. A large mural in the waiting area combines Cherokee words written in the syllabary and their English translations. The television monitors in the waiting rooms show cultural documentaries instead of Fox News or CNN.

Look deeper in the hospital and you’ll see walls filled with the portraits of elders, or hand-painted with animal tracks.

Jenkins has been impressed with the hospital’s transformation. An enrolled member of the Choctaw tribe of Oklahoma, she has seen enough of IHS hospitals to know the difference.

“Now when you go in there you get a sense that ‘Oh gee, this is my place,’” Jenkins said.

Room by room, Adams’ committee has targeted rooms for overhauls. They started with the hospice room, a place where patients come to live their last days in comfort surrounded by family. Then they found an artist to design a traditional Road to Soco Mountain pattern, and they filled a hallway with it.

The waiting area to the dental clinic has a wall-sized mural of a mountain stream. Another room shows the process of making river cane baskets.

“One of the things we wanted to do with every room is teach something,” Adams said.

Adams said the latest project is to transform the hospital’s inpatient rooms.

“Most of the inpatient rooms still have that IHS feel,” Adams said. “The research shows the rooms are a factor in the healing process.”

Adams wanted new ideas for the rooms, so she turned to Western Carolina University’s interior design program for a partnership.

“I wanted new ideas. I wanted to show the nurses and the providers that there are a lot of options. We don’t have to be a facility full of white rooms,” Adams said.

Candace Roberts, a WCU interior design professor, along with her students created a portfolio of potential design schemes for the inpatient rooms and along the way they met with elders to learn about the Cherokee culture. The first transformed inpatient room was finished last week, but Adams said the transformation of the hospital will continue.

Promoting culture

Filling the otherwise institutional walls of the Cherokee hospital with cultural themes is just one of many projects funded by the Cherokee Preservation Foundation. The Foundation was formed in 2000 with a mission to preserve Cherokee culture, enhance economic development and improve the environment using casino revenue. Since 2002, the Foundation has given out more than $47 million in grants throughout the region, which in turn have generated more than $100 million when combined with matching money.

The newest addition to Southwestern Community College’s Oconaluftee Institute of Cultural Arts holds a piece of Cherokee history. OICA will soon obtain a letterpress that will be used to print books in the Cherokee syllabary.

“We are bringing back the Cherokee history in true art form,” said Luzene Hill, OICA progam outreach coordinator.

Through a $68,846 grant from Cherokee Preservation Foundation and a $47,792 grant from the Institute of Museum and Library Services, OICA will purchase a metal press and develop a printmaking studio at its facilities on Bingo Loop Road in Cherokee.

Years ago, the Eastern Band of Cherokee Indians published a newspaper called Tsa la gi Tsu lehisanunhi, or the Cherokee Phoenix. This first Native American newspaper was printed on a hot-type letterpress in which each word is put together by hand, combining individual metal letters or characters.

“It opens up a whole new craft of book art for us, including printmaking, hand-papermaking and hand-bookbinding,” said Hill. “For our students, book art will blend fine arts with crafts.”

After 12 years, Sequoyah finished developing the Cherokee syllabary in 1821. Each character represents a syllable, instead of one sound, thus the name syllabary.

As in the Phoenix newspaper, the power of the Cherokee language rises through the printed word on the page, transforming from thoughts to art, Hill explained.

“You already feel the power of words but capturing them in a book through individual characters you’ve laid out in hot type and on paper you’ve made from linen or hemp fiber really helps you feel them in an art form, too,” said Hill.

As students learn to produce first the paper and then the books, they will also learn skills such as precision, technique, spacing and artistic layout composition, said Hill, who is consulting with noted instructor Frank Brannon.

Brannon, who runs his own letterpress studio, SpeakEasy Press, in Dillsboro, earned his master of fine arts in Book Arts at the University of Alabama and has recently taught Letterpress at the Penland School of Crafts and Papermaking and Printing at the John C. Campbell Folk School.

“One of Frank’s specialties is the Cherokee Phoenix newspaper,” said Hill. “He has explored and published copies from the original hand impressions of type from the Phoenix, found in a 1954 excavation of the New Echota historic site. He hand printed and hand bound the publications for exhibition.”

“The Phoenix was a bilingual weekly newspaper printed in parallel columns in Cherokee and English and one of its biggest subscribers was the British Library,” said Brannon, who also teaches at Book Works in Asheville.

The first paper that the Phoenix was printed on came from Knoxville by wagon and it took two weeks to arrive, according to Brannon. The last issue was published in 1834, shortly before the Cherokee removal to Indian Territory in Oklahoma.

“Students will learn the Cherokee history right along with the history of the letterpress,” said Hill.

The Cherokee language will also be incorporated into the course since the books can be published in the Cherokee syllabary, she added.

For more information contact Hill at 828.497.3945.

Cherokee Preservation Foundation recently awarded 25 new grants totaling nearly $3.2 million. Here are a few targeting the arts:

• A $600,000 grant was awarded to Cherokee Historical Association to complete stair and handicapped access upgrades and install new seats at the Mountainside Theatre, and to improve the Onconaluftee Indian Village by constructing a children’s learning center, creating a new outdoor market for craft sales, and renovating village dwellings. A separate $20,000 grant will enable CHA to develop a new Village Guide and Theatre Training program modeled after a program utilized by Colonial Williamsburg to train their guides to be certified historical interpreters.

• A $95,000 grant will support the continuation of the Festival of Native Peoples, a culture-based event featuring performers and artisans from tribes across the United States, Canada and Mexico.

• A $6,800 grant has been awarded to Cherokee High School so students can participate in a summer program to learn how to harvest, process and dye river cane basket materials.