Well I just received a hurriedly written letter from 2006. (It was on a page torn from a Gideon Bible). She asked that I forward her belongings to an address in Music City, and that she was sorry for the “recent misunderstandings.”

Coronado by Dennis Lehane. William Morrow Publishers, 2006. $24.95 — 232 pages.

Listen! Did you hear that? I’ve been hearing it for weeks now, the faint but steadily growing whisper of something approaching. From the east, I hear ... Dum, dummity, dum, dum! Me and my drummm ....” Heard that, didn’t you? And now, from the west ...“Three French hens, two turtle doves, and a partridge in a pear treeeee ...

Stephen King has written more than 40 novels now — books that are classified in the “horror/thriller/fantasy genre.” King is especially adept at molding plots that incorporate one or more trendy topics (serial killers, the paranormal, pyromania, schizophrenia, child abuse, etc.)

Ask the Dust by John Fante. Black Sparrow Press. $13 (paperback) — 165 pages.

Back in Charles Bukowski’s youth (the 1940s), he spent most of his time wandering aimlessly about the skid-row sections of Los Angles in an inebriated funk. Like many of his homeless and drunken friends, he observed the time-honored practice of avoiding rain and snow by taking up residence in the local library. However, as his cohorts snoozed in the reading room, Charles Bukowski read.

“Riding the range once more

Toting my old 44

Where you sleep out every night

Where the only law is right

I’m back in the saddle again.”

— Gene Autry (and others)

“The Ruins does for Mexican vacations what Jaws did for New England beaches.”

— Stephen King

The Ruins by Scott Smith. Alfred A. Knopf, 2006. 319 pages.

Before Cormac McCarthy’s nameless father and son have ventured more than a few yards down The Road, we realize that something is terribly wrong with their world. The only sound, other than the shuffling gait of these two creatures and the father’s wracking cough, is the sound of labored breathing – an act made more difficult by the layers of cloth that obscure their faces.

Back some 30 years ago when I still had some tenuous claim to academic respectability (I taught literature), my teaching sometimes included the study of “picaresque novels.”

If you remember Charles Portis’ wonderful 1968 novel, True Grit (and the subsequent Kim Darby/John Wayne film), you are likely to have a nostalgic regard for plucky Arkansas teenagers who just get up and go on when life smacks them down. Stubborn little Mattie Ross’ pursuit of her father’s killer inspired me some forty years ago, and I still get a little moral lift when I remember her. Aided only by a drunken sheriff who was frequently more of a hindrance than help, willful little Mattie persisted.