The 50th annual Smoky Mountain Folk Festival will be held on Aug. 30-31 at the Lake Junaluska Conference & Retreat Center. Both nights will include a rich variety of the region’s finest fiddlers, banjo players, string bands, ballad singers, buck dancers and square dance teams as well as the marvelous sounds of dulcimer, harmonica, Jew’s harp, bagpipes, spoons, saws, and folk ensembles.

It’s one of the most recognizable voices in all of American music.

When Richard Sterban famously coined the “oom-pa-pa-oom-pa-pa-mow-mow” bass solo during The Oak Ridge Boy’s crossover 1981 smash hit “Elvira,” he not only forever solidified his tone in the halls of country music, he also became a lifelong pop culture icon in the process. 

Now syndicated on PBS stations from coast to coast, “David Holt’s State of Music” has become a beacon of traditional music and worldwide exposure for countless local, regional and national acts hailing from Western North Carolina and Southern Appalachia.

In bluegrass, there are pioneers and there are pillars — Becky Buller is both.

A beloved singer/fiddler, the Minnesota native left the Midwest as a teenager for Southern Appalachia, all in search of that “high, lonesome sound.” And in her lifelong quest to immerse herself in bluegrass music, Buller has become a legend in her own right.

The purpose of a writer is to take observations on life and distill those sights and sounds into words and sentiments reflecting the way the wind is blowing at a particular juncture in time. 

It’s also a purpose as to show the reader just how common and repetitive the themes of human nature are throughout the centuries and millennia. For we as a species tend to not stray far from our usual thoughts and actions: love and hate, fear and compassion, war and peace. 

At 72 years old, singer-songwriter Jim Avett is a modern-day Renaissance man. Avett is a beloved Appalachian folk musician. Up at the crack of dawn farmer. Served in the Navy during Vietnam. A social worker for a period. And a welder for almost four decades. He’s traveled across the country and around the world, and never once losing that childlike wonder that resides at the crossroads of curiosity, discovery and adventure. 

The history of rock-n-roll music is as wide and deep as an ocean, each drop of water a band, song or feeling radiating a sense of self into the endless universe.

And within that massive and undulating history, no wave was larger than that of the British Invasion in the 1960s. Sparked by The Beatles appearing on The Ed Sullivan Show Feb. 9, 1964, the musical charge “across the pond” from England to the United States included the likes of The Rolling Stones, The Yardbirds, The Who, The Dave Clark Five, The Animals, The Hollies, The Kinks, The Zombies and Herman’s Hermits. 

Simply put, singer/guitarist Denny Laine is one of those mystical characters you cross paths with almost serendipitously. 

He’s an old soul really, someone who’s seen and experienced the world over. But, Laine is also happy to share that wisdom with whoever will sit and chat for a moment. It’s a cosmically curious conversation between two souls playfully in search of the answer to the eternal question — what does it all mean? 

Though his fingers seemingly wrap around a walking cane more than his trusty banjo these days, Raymond Fairchild remains one of the finest musicians who ever picked up the five-string acoustic instrument — alive or six feet under. 

When you find yourself in the presence of Marty Stuart, you find yourself in the presence of the entire living, breathing history of country and bluegrass music. 

Hailing from the small rural town of Philadelphia, Mississippi, the legendary singer/musician took off for the open road at age 12, performing with various groups throughout the Southeast. By the time he was 14, he had secured a position in bluegrass forefather Lester Flatt’s band.