By Chris Cooper

To say that Col. Bruce Hampton has carved a colorful swath through the music industry is likely an understatement of considerable proportions. Tossing equal parts Zappa-inspired lunacy, gritty Southern rock, spoken word rants from Mars, gospel, funk, jazz and blues into nearly every recording, Hampton has achieved an instantly recognizable sound in spite of all his stylistic schizophrenia.

By Chris Cooper

The Wilders: Throw Down

Reading about bandleader Ike Sheldon’s love/hate relationship with old-time music is almost as entertaining as listening to The Wilders’ latest, Throw Down. That somebody could be such a natural talent in this style and spend so many years avoiding it is pretty darn funny when you think about it.

By Sarah Kucharski • Staff Writer

At age 12, Seth Taylor is a quiet, tanned, tow-headed boy. He seems well mannered, intelligent, and at ease, his lanky frame leaned back in a folding chair. However, he’s unprepared to answer questions about what drove him to begin a career in music — one that’s already led to numerous awards, two album releases, and a chance to open for Charlie Daniels.

I’m going to take a brief detour from the regular album/show review format and present five CDs that I feel are worth seeking out. The idea started out as a “top 5” of the last year, but apparently I got a little sidetracked. Thus, it evolved into what you’re reading now: a roundup of underappreciated aural gems from the past, well, decade or so.

By Chris Cooper

There’s this thing that can happen when you research an artist for a review. I’m not sure what the technical term for it is, but it goes something like this: you find that many people (usually well respected peers, in this case Rodney Crowell or Todd Snider) have incredibly good things to say about the artist and their latest album.

First, an admission: I didn’t get to talk to Kenny Wayne Shepherd at all. No interview or anything.

Kind of a bummer, because it means I couldn’t ask him how it feels to look back on a performing and recording career that began while he was still in his mid-teens. His debut, 1997’s Ledbetter Heights, went certified platinum, and both Trouble Is ... and Live On earned Grammy nominations in 1999.

By Chris Cooper

I’ve seen Danielle Howle completely abandon the stage and microphone in the middle of a song and wander through the audience while singing, beating on the tables and bar counter as her only accompaniment.

By Chris Cooper

What do the words “music career” mean to you? For many it’s big fancy studios, nice cars and whopping cash advances from a record label. Maybe a house in Malibu with a gold plated toilet. Worldwide superstardom and scads of shiny awards? Yeah, right.

By Chris Cooper

The name Radney Foster takes me back to the earlier days of home satellite dishes and music television. It was still a novelty to have access to so many things to watch, and in an effort not to be totally biased musically, I perused the music channels regardless of “stylistic format.”

By Chris Cooper

It’s tricky when you find the word “hype” used repeatedly in the glowing fan reviews of a band, as in: “living up to the hype” or “easily surpassing the hype” and so forth.