Iolo Williams is one of the Wales’ most recognized TV personalities. “Wildlife” Williams, as he is known by some fans, or “Birdman” as he is known by others, revolutionized BBC nature shows by bringing heady ecology together with rugged good looks and his native language, Welsh.

Williams and his production crew traveled to Cherokee this past week to film an episode of a series whose working titles is “Iolo yn Native America,” scheduled to air in the UK later this year.

The crew –– camera director Mei Williams, researcher Luke Peavey, and producer Bethan Arwell –– have already cut an episode in Navajo country.

But for Iolo, the trip to Cherokee was special, primarily because he sees the parallels between the Cherokee and Welsh efforts to revive their native languages.

“Williams in Native America” is being filmed entirely in Welsh and the indigenous languages of the tribes Iolo interacts with.

“When I was little, Welsh wasn’t cool, and that’s a big thing for kids,” Williams said. “But there’s been a massive revival, mostly through education. With the Cherokee, and with this school, you can see there’s hope now.”

Last Thursday, Iolo visited the Kituwah Immersion Language Academy, the Cherokee’s state of the art new immersion school.

Williams grew up in Llanwwddyn in the Welsh midlands as a Welsh speaker and a child yearning for wild places. His imagination was captivated my Native Americans from an early age.

“One of the main reasons is because of the huge similarities I see between the Native Americans and the plight of the Welsh,” Williams said.

Americans know little of Welsh history. But if your name is Thomas, Morris, Williams or Jones, chances are you could trace the roots of your family tree and wind up somewhere near Cardiff or Builth Wells.

Wales was conquered by England over 800 years ago, and since that time they have slowly become Anglicized.

“A lot of our old traditional ways are long gone, but we do have differences from the English, especially with regard to the ways we value our family and the language,” Williams said.

Today, only 1 in 10 Welsh speak their native tongue, but it is taught to schoolchildren and is an official language in the country. Welsh is cool again, and the Welsh are exploring the boundaries of their own identity. While the English have forgotten they did anything bad to the Welsh, the Welsh haven’t forgotten.

Williams said he admires the way the Cherokee have taken advantage of the economic benefits available in American society while working hard to preserve their own identity.

“The Cherokee haven’t forgotten,” Williams said. “They do remember, but they’ve moved on. You know we still hate the English.”

As Williams and his team toured the Kituwah Preservation and Education Program, he felt a sense of satisfaction.

“It looks like you’ve caught the Cherokee language within a hair’s breadth of dying out,” Williams said. “This really has to be the way forward. There’s a lot of personal responsibility placed on the individual when a language is dying, but education has to be the way forward.”

Williams and his crew will return to Wales to work on other projects before coming back to the United States and Canada to film episodes with the Haida, Lakota, Blackfoot, and Northern Cree tribes.

The show has not yet been scheduled for airtimes in Wales, but Iolo said anybody interested in watching has plenty of time to practice their Welsh.

Many who walk into Joel Queen’s gallery mistakenly assume the artwork there solely represents Cherokee tradition.

After all, Queen comes from a long line of Cherokee potters and basketmakers who passed down their art to him as soon as he was able to crawl. And he’s one of Cherokee’s most prominent artists — among the few to successfully run his own gallery and to teach at the Southwestern Community College’s Oconaluftee Institute of Cultural Arts.

But looking closer, it becomes clear that Queen’s artistic vision extends far beyond the Qualla Boundary. His work is as much inspired from Greek vessels, Egyptian sculptures, and Celtic designs as aesthetic traditions from Cherokee and the Southeast.

Queen is just as interested in seeing what Cherokee artists produce as what artists on the other side of the country are up to. He loves traveling across the nation with his family, competing at art shows like at the Sante Fe Indian Market, especially for this purpose.

“The competition keeps me on my toes,” said Queen. “I thrive on it. If I don’t win one year, I’m going to have to do something better next year. That part of it, I really love.”

Even if he doesn’t win, though, the art market provides Queen the perfect opportunity to observe new artistic traditions as they are being formulated.

Queen, along with fellow artist and friend John Grant, decided to create Cherokee’s own annual art market because they saw it as integral to bringing fresh ideas to the region’s art scene.

“The only way art advances is to be able to see what’s going on outside of here,” said Queen, adding that the art market has the additional benefit of boosting the local economy.

An ongoing education

Queen had learned the craft of basketmaking from his grandmother when he was just 5 years old and later fell in love with sculpture. But when Queen settles down to work in one of his two studios, he doesn’t limit himself to just one, or even two, kinds of media.

Queen credits his high school art teacher for showing him how to diversify, which ended up complementing Queen’s own personality in the end.

“It was very eye-opening for me to be able to work in leatherwork, silverwork, clay and paintings,” said Queen.

“... I don’t like being confined. I like being able to express how I feel through different media.”

Luckily for Queen, that versatility has been useful in a volatile economy, when one medium might not sell as well as another.

With a diverse skill set in tow, Queen set out for his next challenge, large-scale pieces — what later became his signature style. Since many artists didn’t like to work large at the time, Queen had to resort to self-teaching to learn to build such heavy pieces.

“Large pieces are more challenging. That’s why I like doing them so much,” said Queen. “It keeps it interesting. It’s very easy for me to lose interest if there’s not a challenge to it.”

Now, Queen can create sculptures 10 to 12 feet tall as well as he can build miniature pieces as small as 2 or 3 inches tall.

Queen also hand builds his pottery, rather than throwing it on the wheel. Pots won’t be perfectly symmetrical this way, but each piece is unique, different from the one before. Though hand building was slow going at first, Queen learned techniques to speed up the process, so he can create at nearly the same rate as an artist who wheel throws.

“I’m not knocking wheel throwing work,” said Queen. “It’s still beautiful and takes talent to do it, but hand building is just a totally different area.”

For one thing, when the electricity goes out, Queen can go right on creating.

“As long as you got wood, you can still burn the pot,” said Queen.

Wal-Mart will not build a new Supercenter in Cherokee. After months of speculation that the deal between the tribe and the mega-retailer had fallen through, a company spokesperson confirmed the news this week.

“We decided not to move ahead with the project,” said Bill Wertz, Wal-Mart spokesperson. “It is a combination of things. We have to consider a number of factors.”

The tribe hoped Wal-Mart would be the center of a new mega development bringing an array of services to Cherokee, saving residents a drive into Sylva or Waynesville to purchase household wares that they can’t get on the reservation. But the planned Wal-Mart also drew criticism for its potential to hurt local businesses.

To lure Wal-Mart, the tribe intended to build a 150,000-square-foot store at a cost of $25 million on Hospital Road near downtown Cherokee and lease it to Wal-Mart. The store was projected to create 200 jobs and nearly double the tribe’s sales tax collections, theoretically paying for the tribe’s upfront cost of the building over time. Last May, the Eastern Band of Cherokee Indians Tribal Council approved the deal, which was four years in the works, by a vote of 9 to 3.

Last month, Cherokee’s director of economic development, Mickey Duvall, said a consulting firm working on behalf of the tribe was still trying to persuade Wal-Mart’s upper management to move forward with the deal.

“Our consultants informed us in early 2010 that Wal-Mart’s domestic focus had changed primarily to urban markets due to the recent recession, however they would continue to pressure Wal-Mart’s upper management to get the Cherokee deal approved and construction scheduled as soon as possible since lease negotiations with the Tribe had been ongoing prior to the downturn in the U.S. economy,” Duvall said in an update published in the Cherokee One Feather newspaper.

The Tribal Council split on the issue of offering hefty incentives to Wal-Mart to bring the store to Cherokee, and some local retailers said the store would kill their businesses if it came. With the announcement that the project is scuttled, Wertz stopped short of saying Wal-Mart would rule the site out in the future.

“Every year we have a certain amount of investment capital, and we have to determine the sites best suited for its use,” Wertz said. “This site didn’t meet the threshold this year, but that’s not to say it couldn’t do so in the future.”

Wertz said Wal-Mart has focused more energy on remodeling existing stores since the recession hit.

“Two or three years ago, we made the decision to build fewer new stores and devote some of the money to remodeling existing stores,” Wertz said.

Principal Chief Michell Hicks, whose administration has been characterized by an aggressive agenda of economic development, did not respond to a request for comment Monday.

Last month, Hicks had been hopeful that the deal would still go through.

“The Eastern Band of Cherokee remains committed to opening a Wal-Mart in our community however we cannot discuss the content of those negotiations at this time,” Hicks said.

In a 2002 referendum, the members of the Eastern Band of Cherokee Indians voted to authorize an audit of the tribe’s enrolled members. Almost eight years later, the process is coming to a head as the Tribal Council considers how to use the findings of the study.

The primary issue facing the council is what to do about the 300 names the audit showed to have no connection with the Baker Roll, the tribe’s benchmark for enrollment qualifications.

“The Cherokee people are currently working through the procedures and policies to be set in place to deal with these individuals,” said Principal Chief Michell Hicks. “This is a difficult situation for us all, but a necessary step to ensure we are all in compliance with the Eastern Band’s enrollment guidelines.”

After perusing 18,000 files and more than 115,000 documents, the staff of The Falmouth Institute presented the final enrollment audit report to the Tribal Council last October. Now the council is charged with setting the policies and procedures that will be used to implement the findings.

The auditors found 1,405 files they deemed actionable, 683 files that did not meet the current enrollment requirements, and 300 people with no connection to the Baker Roll

At stake is not just who can be considered a member of the tribe, but also the benefits and rights that come with recognition as a tribal member, including the right to own land in the Qualla Boundary and the right to per capita payments. There are currently about 13,000 enrolled members of the Eastern Band of Cherokee.

During committee meetings last month, tribal council members considered the possibility of taking land back from disenrolled members and asked their legal team whether they would have to provide compensation for it.

EBCI Attorney General Annette Tarnawsky said the Pechanga Tribe in California and the Saginaw Chippewa Tribe of Michigan are in the midst of similar enrollment verification proceedings, but neither has used the enrollment audits to expel people from their reservations or to repossess land.

Jennifer Bainbridge, a tribal attorney in charge of researching the issue, said the lack of precedents makes for slow going, but that property rights issues would be the sticking point.

“There’s not any case law out there about tribes who have disenrolled people and taken their property,” Bainbridge said.

As complicated as it is, figuring out how to enforce the enrollment audit may prove simpler than determining how to interpret it.

Tribal Council member Terri Henry, who represents the Painttown community, pointed to the fact that the original Baker Roll was a contested document. When the roll was adopted in 1926, the Tribal Council approved 1,924 names and challenged 1,222 names on the 3,136-person list. For Henry, that fact shows that even at that point the tribe felt its membership should be a smaller group than the one the federal government recognized.

“To me, this kind of answers the question about the body politic at the time,” Henry said. “This was actually at the time the roll was enacted. This would be at the genesis moment of the enrollment of the tribe.”

The dispute over the Baker Roll can be traced to the fact that it was a document that relied on land records belonging to William Thomas, who facilitated the purchase of the land used to establish the Qualla Boundary. According to Tarnawsky, the Baker Roll “was derived from landholdings of Cherokee enrolled members who either sold or gave land to Mr. Thomas that then became part of the boundary.”

The Thomas papers date to the 1840s.

The difficulty of verifying all of the records available to the Cherokee that could establish enrollment criteria was made evident when David Wyatt, head of the tribe’s GIS mapping program, began discovering historic documents during his research of land tracts.

“In the process of scanning all that information at BIA, we came across a little bit of everything,” Wyatt said

Wyatt found original copies of Thomas’ records, census records from as early as 1912, and a 1967 revised version of the Baker Roll, among other documents. None of these were included in the enrollment audit conducted by Falmouth, and their staff indicated to Tarnawsky that the scope of their project would be limited to records in the possession of the tribe’s enrollment office.

So far, the Cherokee have spent $746,000 on the audit, with another $100,000 budgeted for its completion. But with the discovery of new records that could be pertinent to the effort, it’s not clear when the job will be done.

Tribal Council member Teresa McCoy was clear in the meeting last month that her constituents want closure.

“I do prefer that there be a deadline placed on this. Let’s not let it drag out for another six months. Our community met last week, and they were adamant. They were ready to start the next morning. They are tired of waiting. They have waited for seven years, and they don’t know what’s taking so long,” McCoy said.

But the council will have to decide whether to push disenrollment proceedings on the list of 300 or on a broader group identified by the audit.

With a vocal part of the membership clamoring for resolution, the council will have to negotiate intricate legal issues in addition to sorting out how to deal with records in possession of the Bureau of Indian Affairs and the State of North Carolina that could shed light on the status of enrollment claims.

Tribal Council member Tommye Saunooke asked for patience.

“I think the public needs to understand that the results of the audit did not come back to the council until late 2009. Council has not drug their feet on this,” Saunooke said.

I don't do people, Bart Crowe said matter-of-factly.

But there he was getting his fishing tackle together to hit the trophy waters in Cherokee with a couple of fishing buddies.

Crowe carried an M-60 machine gun during Operation Desert Storm in 1990. His war was four days long, he said, and punctuated by a 20-hour tank battle. Now he is a disabled veteran with diagnoses of post-traumatic stress disorder, post-traumatic brain injury, fybromyalgia and chronic fatigue.

I don't sleep. I've bounced from job to job. I've literally gone after bosses, Crowe said. I really don't do people. I center my life around veterans.

Crowe and a handful of other Western North Carolina veterans gathered at River's Edge Outfitters in Cherokee on Monday morning and then headed up Oconaluftee River to fish alongside members of the North Carolina Fly Fishing Team. The outing was the inaugural fishing event for the Cherokee Chapter of Project Healing Waters.

For Crowe, it was a much-needed respite.

Just getting out there on the water is relaxing, Crowe said. It's not about catching fish. It's about getting some peace and hearing the streams instead of thinking about things I shouldn't.

Project Healing Waters was founded in 2005 as a way to help rehabilitate wounded veterans at Walter Reed Hospital in Washington, D.C. Today, there are more than 80 chapters nationwide and the project continues to grow.

John Bass, the project's regional coordinator for North Carolina, South Carolina, and Georgia, has been involved since the beginning. Bass is wheelchair-bound, having broken his neck in a swimming pool in 1974. He got involved in Project Healing Waters after meeting a young wounded veteran on the water near Lebanon, Va.

I made up my mind right then, that I couldn't live with myself if I didn't do something to help these guys, Bass said.

Bass called Project Healing Waters founder Ed Nicholson, and the rest is history. He started working with veterans at Walter Reed and realized he had something special to give them. Having been a fly fisherman since his school days, he never let his injury keep him from his passion afterwards.

It's sort of hard for a guy to tell me he can't do it, when I've done it, Bass said.

Bass has a special place in his heart for the Cherokee chapter of the organization because of his longstanding friendship with a Native American Vietnam Veteran from Kyle, South Dakota, named Archie Hopkins.

I think a lot of the reason the veterans today get the opportunities they do is because the guys from Vietnam didn't get the thank yous they deserved, Bass said.

Crowe, whose father is a Vietnam veteran and whose two brothers served in Iraq, agrees.

My father dealt with people in airports spitting, calling him baby-killer, but when I got home, I got an orange certificate, Crowe said. The country did an about face and started welcoming home its veterans.

But after the hero's welcome, life wasn't the same for Crowe. He drank heavily and divorced his first wife. He hit rock bottom one day and checked himself into the suicide watch at a hospital in Gainesville, Fla. Since that time, he's actively sought ways to deal with his PTSD, which he says acts the same for everybody whether they got it in Vietnam or the desert.

It's all the same. One place had trees and the other had nothing. I tried to have a job and a family and put it all behind me and it didn't work, Crowe said.

After moving to North Carolina, Crowe heard about Operation Healing Waters through the VA, and he has embraced it wholeheartedly.

On Monday, Crowe was fishing with Jamie Dufault, a 29-year-old disabled veteran who lives in Hendersonville, and Brandon Wilson, a 31-year-old Brevard native who got back from Iraq in February and now lives in Maggie Valley.

Wilson, a life-long fly fisherman, has organized a side project called Pints and Flies at the Rendezvous Bar inside the Maggie Valley Inn and Conference Center as a way of sharing his passion for the sport.

It's awesome to see guys getting into it, beginning to understand it for themselves, Wilson said. You don't think about anything you did in war. It's just you and a little bitty fish out there in the water.

Crowe's wife Melinda, tied him a fly at Pints and Flies. It was pink and purple and three times the size of a normal wooly bugger. He caught three fish with it.

The art of healing

Joanie Ledford is a recreation therapist at the Veterans Administration hospital in Asheville. Ledford has been involved with the Asheville chapter of Project Healing Waters for two years, and she sees the fishing as a multi-faceted therapy that incorporates fine motor coordination, self-esteem building, and patience.

It lets them learn that they can continue fishing or learn a new skill no matter what their ability is, Ledford said. To help the overcome their limitations and learn some self-confidence.

Ledford's embrace of the program has been crucial. Project Healing Waters chapters require a VA or Department of Defense hospital or clinic to act as hosts, a local fly fishing organization to supply volunteers and organize events, and wounded or disabled veterans who want to participate.

In the case of the Cherokee chapter of Project Healing Waters, the North Carolina Fly Fishing Team is the sponsor organization, and their effort is supported by the Eastern Band of Cherokee Indians tribal fishery.

Fisheries Manager Robert Blankenship said helping underwrite Operating Healing Waters is a chance for the tribe to accomplish its goal of providing an accessible fishery for everyone. Blankenship hopes to see the Cherokee chapter attract Native American veterans from the Qualla Boundary, and to that end, the tribe will help host a tournament event in September that will feature a team of Cherokee veterans against a team of veterans from North Carolina.

We'll support them in any way we can, Blankenship said.

On Monday, Blankenship closed a section of trophy water to give the veterans first crack at the giant rainbow, brown and brook trout there.

Troy Bailey, a Vietnam veteran in a wheelchair, got some individual attention from Asheville project coordinator Ryan Harmon, and much to his own surprise hooked a beautiful trout.

Somewhere far upriver Crowe, Wilson and Dufault waded into the water.

Healing Waters

The Cherokee chapter of Project Healing Waters a national nonprofit whose mission is to encourage the physical and emotional rehabilitation of servicemen and veterans through fly-fishing is currently recruiting members from Haywood, Jackson, Macon, Swain and Clay counties. 828.550.8487 or This email address is being protected from spambots. You need JavaScript enabled to view it. or www.projecthealingwaters.org.

Last week, the Eastern Band of Cherokee Indians celebrated the topping off of their new 21-story hotel tower, the centerpiece of Harrah’s Cherokee Casino’s $633 million expansion.

“This, for us, is a game-changer,” said Harrah’s Cherokee General Manager Darold Londo. “This is the exclamation mark on the resort.”

More than 1,000 workers gathered with tribal officials, casino administrators, and others to watch as the final steel beam, decorated with an evergreen tree, was hoisted by crane to the highest point of the structure.

Principal Chief Michell Hicks said the event was an opportunity to recognize the workers who had erected the tower in nine months, but also to celebrate the foresight of the tribe’s leaders in planning the expansion.

“I just want to take a moment to recognize the planning and foresight not only for creating these jobs, but for creating a facility that will benefit us for many, many generations,” Hicks said.

The 21-story Creek Tower will add 532 new rooms to the resort, doubling the casino’s overnight capacity and making Harrah’s Cherokee the largest hotel in North Carolina. Construction should conclude later this year.

The ceremony was a chance to recognize the grandiose nature of the casino’s expansion as a resort. When the project is finished, it will boast a Paula Deen Kitchen restaurant with 400 seats, 78 luxury suites with mountain views, a 16,000 square-foot spa, and a 3,000-seat auditorium.

Together with the new Robert Trent Jones-designed Sequoyah National Golf Club, the elements represent Cherokee’s move to remake itself as a resort destination.

For Norma Moss, chair of the Tribal Casino Gaming Enterprise, that’s exactly what the goal has been since the EBCI Tribal Council approved the investment in 2008.

“Take a good look around you,” Moss said. “Our masterpiece in the mountains is becoming a reality.”

For Tribal Council Member Perry Shell, who voted for the appropriation, said Cherokee and the tribe is becoming an economic driver for the region.

“I see this as an investment,” said Shell. “I think it will have a positive impact not only for the tribe, but for the entire area.”

Builder and tribe share love of ceremony

Topping off ceremonies are a 1,000 year-old tradition for builders, according to Turner Construction Company’s project manager Bobby Fay. With his 1,000-plus workers arrayed in front of him, Fay took pains to make sure they knew the ceremony was for them.

“This ceremony has traditionally been for the workers,” Fay said. “To honor their sweat.”

Fay, a bear of a man with a bushy beard, stood in a black full-length duster with his hard hat on and gave a rousing speech in English and Spanish to a delighted audience.

“We brought in the drillers from the south. The concrete workers from north over the mountains. The architects from the west. The steel workers from the east,” said Fay. “I’ve never had so many area codes in my phone.”

Londo said Turner Construction’s value system has been a good fit with the tribe and that was evident in the topping off ceremony, which began with a traditional prayer to the seven spiritual directions of the Cherokee offered by tribal Elder Jerry Wolfe.

“I love the fact that Turner honors traditions,” Londo said. “We appreciate those types of things in Cherokee.”

The company won the $120 million construction contract last summer, and they have worked hard to get the hotel tower up in just nine months. Miraculously, the project has not lost a day to weather, despite Western North Carolina experiencing an historic winter of snow and ice.

Fay said the hotel construction was on schedule to finish in December. In the meantime, the casino will be rolling out a series of new amenities. The first full bar on a gaming floor is scheduled to come on line next month, the events center will open Labor Day weekend, and Paula Deen’s Kitchen restaurant will start serving food late in the year.

A coalition of Cherokee and Swain County residents have stepped up the pressure on a proposed Duke Energy substation in the vicinity of the sacred Cherokee mothertown, Kituwah.

Last week, a coalition of more than a dozen people filed a formal complaint with the N.C. Utilities Commission asking the regulatory body to halt the project. According to critics, the substation and related transmission lines would mar views of a rural valley between Cherokee and Bryson City and alter the character of the nearby Cherokee ceremonial site.

Natalie Smith, a member of the Eastern Band of Cherokee Indians, has been an outspoken critic of the substation and has spearheaded a grassroots effort to move it away from Kituwah. Smith is the only named complainant in the case, but says the coalition includes a mix of county residents, property owners, business owners and tribal members.

“This wasn’t started or formulated for the Eastern Band’s interest,” Smith said of the challenge. “It’s for all the citizens of Swain County and all Cherokee people.”

The coalition’s complaint alleges that Duke Energy began work on the substation without state approval required for projects that exceed a certain capacity and that the project will have significant adverse impacts on residents.

Duke Energy spokesperson Jason Walls released a written statement reiterating the company’s willingness to work in conjunction with tribal leaders to resolve the issue.

Duke is considering alternative sites for the substation suggested by the tribe. It is also looking for ways to reduce the visual impact should it stay in its proposed location, Walls said.

Smith expressed her concern that the tribe has not taken any legal measures to stop the project, even after the tribal council authorized legal action in February.

“I’m curious as to exactly why they haven’t, and I suspect that it is politics,” Smith said. “If it proves to be politics, then I think our leaders need a major recalibration of their priorities, because Kituwah is the heart and soul of our people. It’s beyond any individual or political status.”

The utilities commission has the power to issue an immediate injunction on the project pending resolution of the complaint, but the project has already been halted.

Last month, Swain County commissioners passed a moratorium that put a stop to the project for 90 days, enough time for the county to create an ordinance regulating substations and cell towers.

After years of a stalemate with the state over live dealers at Harrah’s Casino, the election of Gov. Beverly Perdue signaled new hope for the Eastern Band of Cherokee Indians that an agreement finally could be reached.

Perdue had signaled a willingness to reopen talks about allowing live dealers, in addition to the electronic games now offered at Harrah’s. But the state’s banned video gambling industry has other ideas.

A lawsuit filed by a video gaming firm argues the governor does not have the right to negotiate gambling compacts with the Cherokee, alleging that the power lies only with the General Assembly.

“The approval of compacts between the State of North Carolina and other sovereign entities, including the Eastern Band of the Cherokee Indians, is a core legislative function; therefore, by negotiating and executing the Compact and amendments thereto Governors Hunt and Easley violated the state constitution’s ‘separation of power’ clause,” states the complaint filed by New Vemco Music Co. in Wake County Superior Court in February.

It’s the second such case filed by New Vemco. Last year, a lawsuit claimed the state didn’t have the right to allow video gambling in Cherokee while banning it everywhere else. The company has appealed to the Supreme Court, which hasn’t yet decided whether to review the case.

Ralph Amik, New Vemco’s owner, pledged to keep fighting for to restore the outlawed video poker industry in the state.

“We may wind up taking it to the Supreme Court to do it, but we are going to win,” Amik said. “I don’t care what the Cherokees do. I really and truly don’t, but we were in business first. They can’t give it to one and not the other.”

Together the two cases have been seen as an effort to force the state to lift its ban on video gaming, which it prohibited in 2007, by hamstringing the process of expanding gaming on the Qualla Boundary.

Officials in the governor’s office have acknowledged that the cases have stalled negotiations over live gaming at Harrah’s Cherokee Casino.

“The governor has always welcomed that dialogue with the Cherokee, but the fact that there are two legal cases pending in court certainly affects her ability to carry those discussions forward,” said Chrissy Pearson, Gov. Perdue’s press secretary.

Pearson said the governor would wait until the cases are resolved to move forward with the live dealer discussion.

“The crux is that both cases do need to go through the courts so we can know what precedents will be set before we proceed any further,” Pearson said.

Eastern Band of Cherokee Indians Principal Chief Michell Hicks would not comment on the status of the live dealer discussion or the lawsuits, citing a policy against discussing “pending lawsuits or compact negotiations with the state” with the media.

The Western North Carolina Fly Fishing Trail has added a new stop on the map for anglers — the Raven Fork trophy water on the Cherokee Indian Reservation.

The fly-fishing trail leads fishermen to 15 different fishing spots in Jackson County, from narrow mountain streams to wide rivers. The Jackson Country Tourism Authority came up with the idea last year as a way to harness the potential of touring anglers.

“The Raven Fork trophy water enhances the trail’s overall experience because it provides a type of fishing not found anywhere else,” said Julie Spiro of the Jackson Country Tourism Authority. “It’s thrilling to catch fish on that stream. There are a lot of large trout in there.”

The 2.2-mile stretch is regularly stocked with large rainbow, brown and golden trout. It’s common to catch fish 20 inches or longer, and there are a number of trout that exceed 30 inches. Access is available through several pull-offs along Big Cove Road with paths that run along the stream.

The scenic Raven Fork replaces the Horsepasture River as spot number 6 on the WNC Fly Fishing Trail. Public access to the Horsepasture River is becoming increasingly limited, which prompted the change.

Raven Fork is designated by the Cherokee as catch and release fly-fishing only. Anglers wishing to fish Raven Fork need to purchase a $20 special use permit and a $7 daily permit from the Eastern Band of the Cherokee Indians.

Local guide Alex Bell, who helped create the trail, often has anglers request a trip to Raven Fork.

“Cherokee wants to be a destination east of the Mississippi River that every fly fisherman knows,” Bell said. “They have different strains of trout coming in and have great vision for their fishing program.”

The Raven Fork trophy water in Cherokee and the Tuckasegee River above Dillsboro are two of the most rewarding stretches for trout fishing in the region.

“Those are the two big boys. And they’re both on the trail,” Bell said.

800.962.1911 or go to www.FlyFishingTrail.com.

Cindy Robertson never for a minute believed in ghosts — that is, until she moved into her new restaurant outside Cherokee. And she’s not alone.

A mysterious presence has made converts of every restaurant owner who’s moved into the building in recent years.

Robertson had her first encounter when she was preparing to open Cindy’s Diner. Robertson was painting the walls when she felt a tug at her sleeve. When she turned around to see who it was, she spotted an elderly man standing at the back of the restaurant, near the kitchen area.

Robertson went over to investigate, but the stranger had disappeared.

“I thought it was my cook trying to scare me,” said Robertson. “He thought I was trying to scare him.”

Since then, Robertson has seen the ghost poke his head around the corner of the building on several occasions. Each time she walked over, though, no one could be found.

One morning, Robertson walked into a sweltering restaurant. “The stove had been turned up,” said Robertson. “We check it two, three times before we leave ... it was on high. It was so hot that it was white.”

The ghost has even turned off the stove during the day when everyone else is around, Robertson said.

Other times, Robertson has walked up to the restaurant to see that their sign had been moved to block the entrance. Employees usually bring the sign inside and rest it at the side of the door each evening.

“There’s no way wind could get in the inside,” said Robertson.

A perplexed Robertson called Clint Menacof, whose family owns the property, to find answers. Menacof wasn’t at all surprised by her inquiry.

Though Robertson hesitated to divulge the full details of her experience — for fear of being perceived as crazy, Menacof pressed her for an exact description of the presence. He wanted to verify that it was the same description given by the previous restaurant owner and staff.

It was.

“That’s the thing that makes it kind of difficult to discount,” said Menacof. “You’ve got two different tenants with no knowledge of the other one.”

A curious coincidence

Both owners have said that the “ghost” is unlike the kind we see in Hollywood movies. He is tall and slender with dark hair and glasses.

“He’s not like some vague, hazy figure,” said Menacof. “He appears as a solid, real normal person — to the point, they can tell he’s wearing glasses or what clothes he has on.”

Based on the descriptions given to Menacof by those who’ve encountered the ghost, the ruling hypothesis is that the it is none other than Lester Arnold, Menacof’s wife’s great-uncle and the owner of Arnold’s Drive In, which occupied the building for years.

To confirm his suspicions, Menacof brought in pictures of Lester, who passed away in the last decade. Robertson verified that the man she’d seen bore a very close resemblance.

According to Menacof, nothing could have swayed either restaurant owner to believe that Lester might still be around.

“They knew nothing about the building, nothing about its history, nothing about who Lester Arnold was,” said Menacof.

Arnold first popped up during the Mexican restaurant’s stay in late October 2007. It was just around the Day of the Dead festival, when spirits are offered their favorite treats overnight.

Unfazed upon learning about the ghost, the Mexican restaurant’s owner asked Menacof if Lester liked beer and left some out for him that night. Shortly thereafter, Lester wasn’t encoutered again by the owners.

The Mexican restaurant moved out in late 2008, and Cindy’s Diner moved last year. Lester wasn’t seen at the diner until around late October again.

Lester’s family believes that his disappearance come late fall has a lot to do with the off-season, which roughly begins in November. It’s a time when most restaurant owners, like Lester, board up the place and head into vacation mode.

“Everyone could take a deep breath and start to enjoy the winter,” said Menacof.

But when the tourist season gets cranking again, Lester may make a reappearance at Cindy’s.

“I’m curious to find out what happens in April or the first of May,” said Robertson.

Whether Lester shows up or not, Robertson says she fears little about his presence.

“I think it’s pretty cool,” said Robertson, though she tries to avoid coming in early by herself.

Though staff at the Mexican restaurant all confirmed they’d seen Lester, Cindy’s employees have been more hesitant. Only one has admitted coming across something out of the ordinary. She heard someone say “Hey” a few times when no one else was around.

“I think they don’t want to admit what they see in here, but they see and hear it,” said Robertson.

Meanwhile, regular customers are itching to catch a peek at Lester, Robertson said.

If they do, they have little to worry about, according to Menacof.

“While he was alive, Lester was one of the nicest people you would ever meet,” said Menacof.