For the better part of the last 30 years, G. Love (aka: Garrett Dutton) has been radiating his message of “peace, love and happiness” from behind a microphone atop stages across the country and around the world. 

When it comes to Keller Williams, there are three key elements of his storied live performances — experimentation, fun, unity. 

Hailing from Virginia, the beloved singer-songwriter and multi-instrumentalist has been crisscrossing the country with his singular blend of acoustic, jam and dance music for the better part of the last 30 years.

Coming into 2020, Greensky Bluegrass was looking forward to celebrating its 20th anniversary. A relentless national touring act, it would be countless shows and festivals — in front of an endless sea of folks who travel far and wide to listen and immerse themselves in the band’s seamless blend of bluegrass, jam and rock music. 

About halfway through the first set of the sold-out Goose drive-in show last Saturday, a friend turned to me and said with a smile, “You know, we’re probably going to follow this band around for the next few decades, right?”

Approaching the backside parking lot of Upslope Brewing Company in Boulder, Colorado one recent evening, I was immediately greeted by the new normal when it comes to live music. 

In the 21st century, the living bridge of the “high, lonesome sound” that is bluegrass music is Del McCoury.

At 81, McCoury remains the melodic connection between the “Father of Bluegrass,” the late Bill Monroe, and the ever-evolving contemporary acts that are currently blurring the lines between the neo-traditional and progressive camps. And yet, McCoury is steadfast in his pursuit of the traditional bluegrass tone. 

In a seismic move that will further propel the Asheville and greater Western North Carolina music scene into the national spotlight, Citizen Vinyl will officially open its doors to the public on Oct. 8. 

Fresh out of high school in 1970, Sam Bush was a teenager in Bowling Green, Kentucky, with aspirations of being a touring musician. 

With his mandolin and fiddle in hand, he took off for the bright stage lights of Louisville, teaming up with bluegrass guitar wizard Tony Rice as part of the iconic ensemble that was The Bluegrass Alliance. 

Sitting in a booth upstairs at The Water’n Hole on North Main Street in Waynesville one recent evening, Justin Wells takes two sips: one from his beer and one from his shot of bourbon.

With its latest EP, “Something New: Vol 1,” the Maggie Valley Band is breaking new ground, whether it be sonically or what lies within the creative spirit of the emerging Haywood County act. 

In recent years, the sibling duo of Whitney and Caroline Miller (amid a rotating cast of guest backing musicians) have transitioned from an acoustic ensemble pushing the boundaries of folk and mountain music to a melodic entity that constantly stokes the hot coals of Americana and indie-rock stylings.