Borrow seeds in the spring, grow your garden in summer, give them back in the fall. That’s the premise of the Sylva Sprouts Seed Lending Library, the first seed-lending project in the region.

The concept of the seed-lending library is simple, but the possible ramifications of the project profound: Local growers will be able to check out open-pollinated or heirloom seeds in the spring and return some seed they’ve saved that next fall, in essence replacing the seed they used. Over time, project founder Jenny McPherson hopes a truly local bank of vegetable seed will be built, sustaining the community and protecting local plant diversity.

“Somebody told me that seed libraries do exist, and I got really excited about it,” said McPherson, who heads the Jackson County Farmers Market.

McPherson, who is getting her masters in library science at Western Carolina University, knew how to conduct the research necessary. She quickly discovered Richmond Grows, based in Richmond, Calif., and learned how this iconoclastic group established its seed-lending program. Richmond Grows is a nonprofit seed-lending library physically located in the public library in that city.

Jackson County ended up going another, slightly different route: Sylva Sprouts Seed is being physically located in a cabinet at the N.C. Cooperative Extension Service, a home that seems to marry like interests and mutual focuses of the project and state agency.

“I really like the idea,” said Mary Ferrick, a faithful buyer at the Jackson County Farmers Market both during the winter indoors and, when the weather moderates, outdoors in downtown Sylva. “Because our seeds need to be preserved. We don’t want to be dependent on agribusiness.”

Jackie Hooper, who operates the diversified seven-acre Shared Blessings Farm in the Tuckasegee community and was selling meats, eggs, vegetables and more last Saturday morning, agreed. But Hooper also is excited about the project because she fears history could repeat itself: too few varieties of seed could spell trouble.

“I think my biggest interest is my concern that we are going to be tied in to just a few varieties of seed,” said Hooper, who recently retired from Jackson County Schools and is now devoting her attention to farming on a fulltime basis.

Take the Irish Potato Famine in Ireland between 1845 and 1849, also known as The Great Hunger. Potato blight struck, and because the Irish had only a limited variety of different potatoes, this staple crop was essentially wiped out.

In the 1970s, when the Southern corn leaf blight hit, it was this country’s turn to learn that lesson. Though three decades later many local growers fear it’s one we’ve forgotten. Fields that once produced many varieties of corn were planted with a single species because this hybrid variety had desirable, marketable qualities. The corn blight cut production by 15 percent and cost U.S. farmers and consumers hundreds of millions of dollars.

Genetic diversity, you see, is food insurance for us all.

McPherson knows and believes this to be true, providing added impetus to get Jackson County’s project up and running as quickly as possible. It will take time to build a proper seed bank for the lending library, plus there’s a strong education component involved. Classes on seed saving will be offered, too, so that community members can participate fully in the library.

Saving some seed is easy enough. You simply let the plant do what it does naturally in the course of a season. You plant it, the plant grows, the plant goes to seed, you let the seed ripen, collect the seed, harvest the seed and store it safely. But some plants are more complicated to collect seed from, and you can quickly find yourself lost at sea when considering proper isolation distances to avoid genetic mingling and various seed-saving techniques.

That, McPherson said, is where the classes will come in. Those wheels were invented long ago, about as long as man has been saving and planting seed, in fact, and likely before the wheel itself was invented.

McPherson said six or so growers already have offered varieties of locally grown seed. The idea is that gardeners can “borrow” four or five seeds per plant that they want to grow, “and then they should bring back — and keep — some of the seeds” at the end of the season, she said.

New to Seed Saving?

Start with these ‘easy’ seeds. These seeds are great for beginners to save because they produce plants just like the ones originally planted:

basil • beans • beets • carrots • chard • eggplant • leeks • lettuce • onions • parsley • peas • peppers • spinach • sunflowers • tomatoes

Why Save Seeds?

Humans have been saving seeds for over 12,000 years. However, in our culture much of that knowledge has been lost over the last hundred years, along with significant biodiversity. When you grow and save your own seeds, you:

• Develop seed stock that is well suited to our climate.

• Save money.

• Mitigate our dependence on agri-business.

When you participate … you create a culture of sharing and abundance.

Learn More

• Visit www.RichmondGrows.org.

• Take seed-saving classes.

• Join the seedsavers.org forum.

• Read about seed saving at your local library.

• Talk to experienced seed-saving gardeners.

• Keep good garden records.

Source: Sylva Sprouts Seed Lending Library

Gary Carden didn’t realize he had an audience. He was coaching Lara Chew through a rehearsal of “Mother Jones,” a play he wrote three years ago about the famous American labor and community organizer. “Mother Jones” will be on stage for audiences in April.

Carden was seated in the front row of a small performance hall at the Mountain Heritage Center at Western Carolina University.

Chew attends the Unitarian Universalist Fellowship in Macon County, as does Carden, at least when he feels able to drive over the Cowee mountain range. Chew has spent many insomnia-ridden nights memorizing this more than hour-long dramatic monologue. For the most part, with only an occasional stumble, Chew’s rendition of Carden’s work sounded smooth and true. He mostly listened in silence.

Finally Carden interrupted.

“Drag that out right there,” he urged her. “Because that’s your theme.”

Chew nodded in understanding. She repeated the section again with more emphasis. Carden smiled appreciatively, apparently pleased with the result and the responsiveness to his suggestion.

Chew later discussed working with Carden, a Sylva native who has established himself as one of this region’s most-recognizable, best-known and best-loved wordsmiths through his storytelling, plays and short stories.

At the same time, Carden has earned a reputation for being, well, mercurial.

“He speaks his mind, and I appreciate that,” Chew said. “He wrote ‘Mother Jones,’ so he knows how it’s supposed to go. Yes, he’s easy to work with.”

Carden responded, “No, I’m not. I admit that readily.”

Then Carden added a self-assessment that he can “become irrational” if something blocks what he’s trying to accomplish artistically.

“Yeah, I reluctantly admit that I am a pain in the ass. I have been called a curmudgeon, a damned old geezer, ‘Gary Contrary,’ and a waitress in a local cafe calls me ‘Mr. Grumpy.’ I wish everybody loved me, and as one of my best friends tells me, ‘Gary, you are digging your grave with your tongue.’ But so be it. If you passionately love something and want to accomplish something meaningful, you are going to have to be a pain in the ass,” he said.

Carden is nothing if not complex. He’s a mix of a man, one who can be difficult but is equally capable of great love, generosity and tenderness; and of seemingly endless patience, as on this day with Chew.

Forever abandoned

How does a man become what and who he is? Carden has spent almost a lifetime, 77 years now, trying to answer that question through written and spoken words. He has told his story, in one form or another, a million times. The characters change, the context changes, the task remains unchanged: Who am I?

The facts that make up Carden’s life history aren’t easy. His father was murdered. His mother left for Knoxville, Tenn., ostensibly for “business school,” Carden said he was told.  

“I grew up thinking that Knoxville was some magic place where my mother lived and I ran away several times, at the ages of 3 and 4, going to Knoxville,” he said. “On one occasion, I was taken to Knoxville. I now think my grandparents intended to leave me … but something miscarried, and they brought me back home with no explanation.”  

Later, Carden learned that his mother had married a man she’d met in Sylva who had told her that if she came to Knoxville — without the boy — they would get married.  

“My grandmother used to discipline me by taking me out on the front porch and pointing to a worn place near the banisters,” Carden said. “‘There is where she left you,’ she would say. ‘Now, I took you when nobody wanted you and you owe me.’”

These experiences profoundly shaped the future writer.

SEE ALSO: Shortage of dollars threatens to kill popular local show, ‘The Liar’s Bench’

“Even when you are 77 you are still an abandoned child,” Carden said.

Dot Jackson is a longtime friend of Carden’s and an unabashed fan of his work. A former reporter who was twice nominated for Pulitzer Prizes for work at The Charlotte Observer and at The Greenville News, Jackson has authored several nonfiction books. Her novel Refuge was published in 2006.

“Gary has made the most of a painful early childhood,” Jackson said. “As did Pat Conroy with his quick-fisted daddy, Gary has trademarked the imperfect lot of the orphaned toddler. Fact is, he’s done it with such alternating heart, pathos and comedy that like most everything else he does, it’s pretty much a work of genius. And unforgettable.

“I remember realizing, as I read more of the stuff he was writing, that he was exceptionally good. Not the kind of  ‘good’ that was learned, but the kind that is once-in-a-blue-moon born.”

Jackson remembers a young Carden expressing a possible desire to work in newspapers, where she spent most of her writing career. The South Carolina resident said being a reporter ensured her a decent living and the ability to write.

“But there was, involved in it, the business of give and take, learning to get all heated up about the fire at the trash dump, or ‘The Sewer Commission met on Thursday and took no action’ … This was not Gary’s world, and mercy kept him out of it,” she said. “He lived in a colorful, sweet-and-sour world of imagination. There were rainbows and clucking chickens and Cherokee bad words and sanctimonious uncles, and the stench of tanning hides that would have wrinkled a late-night editor’s brow — though the world would probably have loved it. Would have, and does.”

Wherefore ability?

Creative ability is a mysterious gift to comprehend anytime, why some people have it and others don’t. So how to decipher the wellsprings of Carden’s vast talent? That mystery is even more unfathomable in his case than others. Because Carden’s family was not what you’d describe as the artistic set, with the possibility, perhaps, of his father.

“He was exceptionally gifted as a musician and was reported to be able to play any musical instrument and often composed melodies off the top of his head, a talent that both awed and disturbed my grandfather. He would sometimes ask him to repeat a melody that he had just played and my father would reply, ‘I can’t, Daddy. It’s gone,’” Carden said.

The remainder of his family Carden described as “the salt of the earth.” Which means not visibly artistic, or interested in the arts, or interested in helping Carden explore his growing passion for literature.  

“No one read except my grandmother, who read Mary Rinehart novels and went to the movies each year to see ‘Trail of the Lonesome Pine’ and ‘How Green Was My Valley,’” Carden said. “There was a single bookcase in the house and it was filled with religious tracts, songbooks and They Were Expendable, a book about World War II.”

Carden was a lonely child. He had few playmates. When pressed, he’ll admit to being an outcast within his own family. Like countless isolated children have done before and since, Carden found what solace and comfort he could in books.

“I went to the barn and read and read and read,” Carden said.

When not reading, Carden listened to a small radio his uncle gave him, tuning into radio shows broadcast from the big city of Chicago straight into little Sylva. He memorized songs. He enjoyed comic books.

Eventually, and critically important to his development as a writer and storyteller, Carden discovered the novels of Thomas Wolfe. He felt in his bones the music of the Asheville writer’s “poetic language.” Carden remains as passionate today about Wolfe’s work as when he first read the novelist.

In his book Mason Jars in the Flood, Carden through one character noted that Wolfe wrote “about loneliness and loss,” the great contrapuntal themes that sound in Carden’s own life. The language, he wrote, was beautiful: “the words booming like the organ at First Methodist. I found myself responding to the sound rather than the meaning. ‘Lost! Lost!’”

Carden taught about Wolfe at one time to elderhostel students. Carden quit because, he said, it upset him when they repeated all of the “hackneyed criticisms” of Wolfe, such as “he over-wrote.”

Working on impulse

You can thank Sylva’s Fire Department for Carden’s writing career. He started writing in the ninth grade when the fire department sponsored a contest.

“I won it by counting all the matches in a box and estimated the damage I could do with them,” Carden said. “I got a trophy that immediately turned green. The next event was another contest. I won six tickets to the first production of ‘Unto These Hills,’ and had no one to give them to since my family was uninterested.”

His first stories, as Carden tells it to audiences, were relayed to “my grandfather’s chickens in a dark chicken house when I was 6 years old. My audience wasn’t attentive and tended to get hysterical during the dramatic parts.”  

Carden had polio and sclerosis. This worked to his advantage when it came time for college: He attended WCU on a vocational rehabilitation scholarship.

“There is no way I would have been able to go otherwise,” Carden said.

Carden graduated with a degree to teach English, which he did for 15 years in Georgia and North Carolina before returning to WCU for his masters in English and drama. The university later awarded him an honorary doctorate.

Carden then wrote grants for 15 years for the Eastern Band of Cherokee Indians.

“It was easy to do and the money rolled in,” Carden said. “I’m not bragging because Washington was eager to fund Native Americans.”

Then Carden went deaf. He continued on with Cherokee until, Carden said, “it became embarrassing.”

“I had problems because I misunderstood what was said by contacts in Washington. Once, I remember that a consultant said, ‘How do you justify Mead?’ That is what I heard. I said I didn’t see what Mead had to do with anything, Mead being the paper plant in Sylva that was a major polluter at the time. We ended up yelling at each other until I realized that he had said, ‘How do you justify need?’ That is just a tiny example of what became a daily problem,” Carden said.

His deafness propelled him directly into fulltime storytelling.

“I was fine as long as I got to do all of the talking,” Carden said. “Then I started teaching elderhostel and most of the elderhostel sponsors were tolerant of my deafness.”

When talking or listening to people, Carden described his attempt to turn up the volume by turning his two hearing aids on full blast. Even then, catching what was said was multiple choices and simply guessing, Carden said.

“Sometimes I’d guess right, sometimes wrong,” he said.

A girlfriend of old paid three years ago for a cochlear implant despite, Carden admitted, an inability of the two to “talk for 30 minutes without shouting at each other.”

The gift transformed his life. Able to hear, his ability to function creatively exploded again into full bloom.

Writers work in different ways, some methodically and others more impulsively. Carden is in the latter camp. He often writes starting at 3 a.m., taking advantage of insomnia to do work more or less “on impulse.”

“Sometimes ideas bother me for months and even years before I finally break down and write about it,” Carden said.

Carden said he started out writing poetry, which he described without elaboration as “a terrible mistake.”

“I did a few inept short stories and finally gave it up until I wrote Mason Jars in the Flood,” he said.

Carden has written eight plays. Asked why has found drama so satisfying a form to work in, Carden explained there is something fundamental about being on stage that helps fill the hole of loneliness.

“When you are on there, people pay attention to you,” Carden said. “You get on that stage and people look at you, and you’re understood until the next day. In my mind it disproved my suspicion that I was worthless ... I was proving that I was ‘worth something.’ The problem is, this quick fix does not last. Within a day or so, the sense of being worth something fades, and you have to start looking for an opportunity to do it again.”  

Carden has in the past decade started receiving long-due recognition. Awards and general accolades for his lifetime of work have started flowing in, pleasing those who have watched him labor for so many years. Among them is Joyce Moore, the retired owner of the popular City Lights Bookstore in Sylva. She was at a recent production of Carden’s “The Liar’s Bench” with husband, Allen.

“I’m glad Gary finally seems to be hitting the big time after all the years,” Moore said. “He’s an incredibly talented person.”

Mason Jars in the Flood won the Book of the Year Award in 2001 from the Appalachian Writers Association. Two of Carden’s dramatic monologues, “Prince of Dark Corners” and “Nance Dude” have been filmed and appeared on PBS and the Discover Channel. He’s a 2006 winner of a Brown-Hudson Award in Folklore.

Carden has become a speaker at various literary events, including an upcoming appearance April 13-14 at the Carolina Literary Festival in Wadesville, where he’ll talk about storytelling becoming drama.

Works by Gary Carden

• “The Uktena,” a Cherokee “mime” play.

• A series of Cherokee plays based on the Nunnihi, street chiefs, old myths.

• “The Raindrop Waltz,” an autobiographical play that has received national exposure.

• “Mason Jars in the Flood,” an award-winning book of short stories.

• “Land’s End,” three monologues presented as a complete play.

• “Belled Buzzards, Hucksters and Grieving Specters,” a play written with Nina Anderson.

• “Papa’s Angels,” written with Colin Wilcox. Made into a movie.

• “Nance Dude,” filmed with Elizabeth Westall.

• “Prince of Dark Corners” made into a movie for PBS and Discovery Channel.

• “The Bright Forever,” a play.

• “A Sunday Evening in Webster,” a monologue.

• “Signs and Wonders,” a play. Premiered in Highlands last year.

• “Coy,” a play that was originally a part of the trilogy “Land’s End.”

• “Mother Jones,” a monologue.

• “Outlander,” a full-length play about Horace Kephart and the Great Smoky Mountains National Park. It will have a full musical score and will be performed this June at the Parkway Playhouse in Burnsville.

It will be several more weeks at best before Sylva AM radio station WRGC gets back on the air, pending approval from the Federal Communications Commission to grant the station a license.

Word that the station would resume broadcasting around Valentine’s Day were rumors, said Roy Burnette, who is trying to revive the radio station. In addition to securing the license, Burnette is waiting on a final piece of funding in the form of a Jackson County economic development loan.

WRGC went dead last August, a victim of dwindling advertising dollars in a hard-knock economy. WRGC was owned by Georgia-Carolina Radiocasting Co., which currently operates radio stations in Franklin.

Burnette wants to buy the station and expand its reach from east of Canton in Haywood County to Topton in Swain County, which in theory also would expand advertising-revenue possibilities and make the station financially feasible.

Burnette, CEO of the new 540 Broadcasting Co., asked county leaders for a $289,000 loan to make his dreams come true. Jackson County commissioners have approved $179,000 of the loan outright and are poised to extend the remainder — if the county can figure out reasonable collateral to cover the loan if the radio station owner defaults. Efforts to protect the county by joining Burnette as a co-license holder on his FCC permit were rejected by the federal agency.

Of the total $289,000 loan, Burnette wanted $250,000 to purchase the actual radio license from Georgia-Carolina Radiocasting Co. Some $39,000 was designated for acquiring the equipment needed to install the 5,000-watt station. Burnette would provide $100,000 in his own dollars for working capital.

The county has agreed that payments on the loan would be deferred until May 2012 and then be paid during the next 10 years in 40 quarterly payments at an interest rate of 2 percent.

County Manager Chuck Wooten said that Jackson leaders “are still having to work through” possible collateral and that Burnette might be asked to pledge personal assets.

“He seems amenable,” Wooten said.

For his part, Burnette said he’s simply “waiting on the FCC to grant the license for a transfer.” That will also allow him on moving forward with building a new transmitter.

“Everything will be top quality — the signal and service,” Burnette said.

It ain’t easy be green. Nor is it particularly easy for a full-grown man to position himself beside a busy highway and gyrate wildly for hours on end, day after day, in a Statue of Liberty costume.

Bryan Pixa is doing just that, serving both as a dancing human billboard for Liberty Tax Service in Sylva, located on Asheville Highway, and as a living testimony to those basic qualities that helped make America great: if you are going to do a job, do that job and treat your employer right. Earn that paycheck, son.

In the process of living up to America’s beloved work ethic, Pixa might be emerging as the best street entertainer Western North Carolina has ever seen. Surely he’s the most enthusiastic Statue of Liberty anyone in Sylva has ever seen, what with his leg kicks and wiggles, his hippity-hoppity get-down jiving and grinding, never-let-up-for-a-breath dance moves.

“He’s great,” Liberty Tax Service’s front-desk employee, Brittany Grillo, said of Pixa’s Lady Liberty. She is uniquely qualified to critique Pixa’s overall interpretation of the Statue of Liberty, theatrically and artistically speaking.

Grillo, you see, is a retired Sonic restaurant hotdog.

“I love the way he works,” the onetime hotdog said, who admitted she wasn’t as animated in her dramatic role as a life-sized hotdog.

And yes, those hotdogs and Lady Liberties, that human cow who not so long ago waved its hoof somewhat drearily to passing motorists on behalf of Ryan’s restaurant in Sylva — they most certainly do bring in business, Grillo said.

Does seeing a man in a green Statue of Liberty costume suddenly gyrate into view make drivers’ turn the wheel, pull in and get their taxes done? It works, Grillo insisted.

And it’s relatively inexpensive outdoor advertising. In these dour economic times, businesses such as Liberty Tax Service — a franchise within a national storefront tax preparation company — are pulling out the stops to attract new customers. Lady Liberty captures people’s attention and helps with branding.

This is really just basic old-fashioned advertising livened up for a modern audience. Because when you get right down to it, Pixa and his fellow human billboards are reinventions of the old-fashioned sandwich boards.

“I can’t afford it — I wish I could,” said Anita Stephens, who owns Sign Crafters a door or two away from Liberty Tax Service. “It seems to work, and it’s very entertaining. My customers stand at our door and say they could watch him all day.”

It’s not easy money. Passing motorists are generally supportive and appreciative of Pixa, but there is always the occasional jerk in those poor, tired, huddled masses stopped at the signal light before turning onto N.C 107.

“‘I thought it was Lady Liberty, not big fat Liberty,’” Pixa recounted one passerby as shouting.

Not that he can easily hear what’s being said, supportive or ugly. Under the historically accurate seven rays of his crown, hidden behind large dark sunglasses and heavy smears of green face paint, Pixa is sporting ear buds and rocking out to music. It makes the time pass, keeps him entertained and provides a beat to dance to.

Sometimes, when an emotional lift is in order, the music is undiluted reggae. More often he’s indulging a sudden and strong passion for the music of Ben Harper, who mixes blues, folk, soul, reggae and rock.

Pixa loves being a human billboard and he loves working for Liberty Tax Service. But he’s wearing a Statue of Liberty costume for a very serious reason: Pixa wanted to be in Sylva for the imminent birth of his child. His wife is from here, and Pixa had been living six or so hours away working a regular, successful, routine job in Virginia.

The couple lost their first child in 2008, just hours after the baby was born.

“It was a unique situation,” Pixa said. “I needed to do something to get back to Sylva.”

A newspaper help-wanted ad for the position of a living Statue of Liberty caught his attention.

“I thought, ‘I can do that,’” Pixa said.

Pixa is a musician and an oil painter, and sometimes plays harmonica for motorists while working as the Statue of Liberty. Pixa said he sometimes imagines passing mothers and fathers warning their children they’d better get an education or they’ll grow up to be a Statue of Liberty, just like him.

“But I’ve got an education,” Pixa said good-humouredly. “I just needed some steady income. And I’ve ended up with the best job in town.”

It’s been nearly a year-and-a-half since Edna Queen lost her son, and despite forking over $1,100 for a headstone to mark his gravesite in Fairview Memorial Gardens in Sylva, there’s nothing but a patch of grass where his body lies.

No matter how many times she called Reg Moody, Jr., the owner of Moody Funeral Home and Fairview cemetery, the answer was always the same.

“He kept telling us it would be up next month, next month, next month, and it never did come. The money is gone. It is just awful,” Queen said.

Unfortunately, Queen isn’t alone. There are more than 30 complaints against Moody Funeral Home in Sylva for failing to deliver on grave markers that were paid for but never delivered. Some have been waiting for two or three years.

“To me, that is a lot of money,” said Queen, who’s cried over her son’s missing headstone many times. “Here I am 83 years old. People like me, we just draw Social Security. We just barely exist.”

Exactly when Queen and the 30 others like her will ever get the monuments they paid for is a mystery.

Moody Funeral Home closed in December after years of being dogged in court by collectors. Moody has resigned, and the funeral home has lost its state license.

A likely course of events at this point is a court-ordered liquidation — where all cash and assets are seized and sold off in order to pay what Moody owes, an amount that could clock in at more than half a million dollars.

The biggest problem for now, however, is figuring out exactly what Moody’s assets are. It’s been an ongoing dilemma that has frustrated the court, a string of collectors, and a court-appointed accountant tasked with sorting out Moody’s finances.

The court appointed an accountant to take over the financial side of Moody’s operations two years ago, but she has been stymied by Moody’s failure to turn over business records and bank statements, despite repeated court orders that Moody open his books.

Court documents reveal a tangled web of shell corporations, sole proprietorships and intermingled personal and business bank accounts that succeeded in staying one step ahead of those to whom Moody owed money.

A constant shuffling of business assets from one entity to another has been designed to “hinder, delay and defraud creditors,” according to Shelia Gahagan, a CPA in Waynesville who was appointed to act as a receiver.

Court filings contend that assets once owned by Moody — from its building, to vehicles, to equipment, to the business operation itself — have been siphoned to other entities in hopes of making them untouchable by creditors.

Further, income received by Moody has been placed in a personal bank account kept secret from Gahagan, court filings claim.

“Mr. Moody, Jr. opened a business account in his personal name, has deposited business funds into his personal account and has retained the profits of the business,” Gahagan wrote in court filings.

Moody funneled money from the funeral home into a personal account as part of the concerted and systematic effort to shield profits from collectors he owed money to, court filings claim.

Moody Funeral Home has been the target of a civil lawsuit dating back five years by a casket company owed $176,000 for coffins it delivered but was never paid for.

Last fall, the court finally threatened to hold him in contempt if he continued to stall Gahagan’s efforts to probe the finances and assets of the business — a threat that resulted in Moody resigning and the funeral home being shut down.

Exactly where those waiting for their tombstones are in the line of people owed money by Moody isn’t clear. In addition to money owed to the casket company, Moody also owes back state and federal taxes.

Another complaint against Moody has been the upkeep of his two cemeteries, namely Fairview Memorial Gardens in Sylva and Swain Memorial Park in Bryson City. Since the funeral home shut down in December, Gahagan has tapped limited businesses funds to perform basic maintenance that had been neglected in the cemeteries.

“He has received payments for services he has failed to perform, and most of these issues have been ongoing for years,” according to court papers filed by Gahagan. “Maintenance and performing services paid for are normal operations of a business.”

The ongoing saga involving Moody Funeral Home is common knowledge in Jackson County, but people such as Queen who already purchased burial plots in Fairview Memorial were over a barrel, she said. If they tried to buy their monument from another company, or if they wanted the funeral service performed by another funeral home, Moody would charge them extra for digging the grave or setting the stone, in effect forcing them to go through his funeral home, Queen said.

A former Jackson County funeral director has been charged with fraud for swindling people who paid for their own funerals in advance.

Ronnie and Thomasine Riddle, 55 and 56, of Sylva systematically defrauded as many as three dozen funeral customers out of tens of thousands of dollars over a nine-year period, according to an ongoing investigation. The couple was running Melton-Riddle Funeral Home at the time but are no longer affiliated with the business.

The victims paid the Riddles up front to cover the cost of their funerals when they eventually died — but the money is now unaccounted for and the funeral services never provided, according to the charges.

So far, the Riddles have been charged with defrauding 13 people of $50,000.

But that’s only part of the picture.

The charges at this point represent only a portion of the funeral home’s customers whose money went missing after being paid to the Riddles, according to records on file with the N.C. Funeral Services Board.

In all, more than three dozen people have come forward saying they prepaid the Riddles — for a total of more than $150,000 that was not properly deposited into funeral accounts and is now missing, according to funeral board records.

The investigation appears to be ongoing, but it is unclear whether more charges could be forthcoming.

“The investigation into these activities is continuing and will be continuing as allegations come forward from people who may have been affected,” District Attorney Mike Bonfoey said.

Funeral homes are supposed to follow strict guidelines when people pay for a funeral ahead of time. The person who paid for their funeral upfront won’t exactly be around to make sure they get what they paid for, giving rise to clear state laws on how the money for prepaid funerals should be handled. The money must be set aside either in a designated trust fund or through an insurance policy. Either way, it essentially goes in a lockbox ensuring the money will be there to provide the services.

SEE ALSO: Tombstone buyers in grave situation with Moody Funeral Home 

All the charges filed to date against the Riddles involved insurance policies — or rather the lack of insurance policies, according to warrants. The Riddles gave customers fake paperwork, leading them to believe their money had been put into an insurance policy when in fact no such policy existed, according to the charges.

“They wrote these contracts, accepted the people’s money and gave them receipts, but the money was never sent to the insurance company,” said Tom Tucker, the new owner and manager of Milton Funeral Home, who has condemned the Riddles’ actions.

The current charges are all the result of a two-year investigation by fraud officers with the N.C. Department of Insurance and deal only with cases that involved fake insurance policies.

But there are potentially another two dozen victims who prepaid for funerals whose money was supposed to be placed in a designated trust fund but now can’t be located, according to the N.C. Funeral Board. These did not fall under the purview of the N.C. Insurance Department but instead would be investigated by local law enforcement or prosecutors.

Bonfoey said he could not comment other than to say “The investigation into the entire sphere of this activity is continuing.”

Tucker said he would not be surprised if more charges came along at some point to hold the Riddles responsible for all the additional victims.

“It looks to me like there would because there is quite a number of those,” Tucker said.

The N.C. Funeral Services Board doesn’t have a law enforcement arm and can’t launch a criminal investigation of its own. It did send two letters to District Attorney Mike Bonfoey in 2009 alerting him to evidence of felony embezzlement and fraud by the Riddles. The letters offered to help in an investigation should Bonfoey chose to initiate one.

“We reported to the local district attorney as required by law when ever there is embezzlement of premium money,” Harris said.

State fund re-pays victims

In the meantime, the N.C. Funeral Services Board has forked over $60,000 to pay back victims, and more is likely coming.

“We are still dealing with potentially $100,000 or more in claims,” said Paul Harris, head of the N.C. Board of Funeral Services.

Paying for funerals in advance is fairly common. Sometimes people don’t want their funeral expense to be a burden on their family. Others are trying to spend down their assets in order to qualify for Medicaid. And some are simply hedging their bets, locking in the cost of their funeral at today’s rates.

The N.C. Funeral Services Board tries to act as a check-and-balance, ensuring that people who pay cash upfront for a funeral will actually get the service they’ve paid for when the time comes.

A record of every prepaid funeral transaction is supposed to be filed with the state funeral board, which checks to make sure the money got deposited where it was supposed to be. The Riddles did not file paperwork with the state as required, however.

Failure to file the paperwork can result in a funeral director losing the ability to sell prepaid funeral services — and that’s exactly what happened to the Riddles in 2006, although evidence suggests they continued to do so anyway.

Harris said every couple of years there seems to be a dishonest funeral director somewhere in the state who pockets people’s money.

The state has a restitution fund to pay back victims in this predicament. The pool of money comes from a $2 fee tacked on to all prepaid funeral arrangements made in the state. The fund is taking a serious beating in the Riddle case, Harris said.

Harris said victims are pleased the state has such a safeguard in place when the money they thought they put toward a funeral is stolen by a funeral director, but ideally the funeral director would be held criminally responsible and have to pay restitution if the case can be proven.

Funeral home founder devastated

The Riddles ran Melton-Funeral Home for almost a decade before losing their license from the N.C. Board of Funeral Services. The license was revoked in 2009.

The funeral home was taken over by Thomas Tucker, a longtime funeral director in the region who had been working at the funeral home part-time. Tucker dropped the Riddles’ name from the business and went back to the original name of just Melton Funeral Home.

The turn of events has been heart-wrenching for the funeral home’s original founder, Frank Melton, Tucker said.

“Oh my goodness, it has hurt him,” Tucker said.

The Riddles worked for Melton for several years before becoming partners in the business. Melton even added their name to the business making it Melton-Riddle Funeral Home.

When Melton was forced into retirement after a heart attack, the Riddles took over the business completely.

Although Melton “when all this started breaking lose,” was no longer involved in daily operations, he was devastated, Tucker said.

“It just sent him into a tailspin,” Tucker said.

More than two years later, Tucker said he is still sorting out the mess. People continue to walk through the door following the death of a loved one believing they had squared away arrangements years ago — not only putting down cold, hard cash to pay for the funeral but working out details of the service, like who the pallbearers would be, which casket they wanted and what verses they wanted spoken.

“Of course, we have no record of it,” Tucker said. “I am a lost ball in high weeds. It has been a nightmare.”

While the Riddles no longer have a role in Melton’s funeral business, Ronnie Riddle has continued to work occasionally as a gravedigger.

“But that will be no more,” Tucker said. “I’ve had people tell me they didn’t want him even at the graveyard.”

Tucker has been in the funeral business for more than 40 years, including serving as the manager of Wells Funeral Home in Waynesville.

A loosely affiliated group of 30 some people have been quietly meeting, more or less each week, in Jackson County on the heels of an Occupy Sylva event held last October.

This confederacy of the self-dubbed “99 percent” has morphed into Occupy Western North Carolina. While Asheville has its own Occupy group, OccupyWNC has become a catch-all for the counties west of Buncombe, bringing in residents from Waynesville, Franklin and farther west who expressed a desire to get involved following the Occupy Sylva rally.

“This is a much broader coalition than just Sylva,” member Allen Lomax, a Sylva resident and Waynesville-based real estate agent who also helps local, small investors connect with local, small businesses or entrepreneurs. “It has become much bigger than that.”

Don’t expect the tents or protests in WNC that you’ve seen elsewhere, or a visible police presence to ensure things stay calm. But, you also shouldn’t let the quiet nature of OccupyWNC’s gatherings fool you. These folks are dead serious about change. And they seem prepared to help make some noise, soon, to get just that. They are seeking results through “all possible nonviolent means of action.”

Gary Stamper, a Whittier resident who moved from Seattle to WNC three-and-a-half years ago, said he believes it’s time for change. And, that the nation is ripe for change.

“My outrage about what is going on is that we are losing all of our freedoms and rights. I can’t sit idly by and let it go,” Stamper said.

Stamper believes that bridges can be built to other groups, including the Tea Party and Republicans, and that the majority of Americans can work together for needed change.

“We have far more in common than not,” he said, adding that anything meaningful that happens will “start with individuals.”

“Really, we are just 100 percent,” Stamper said. “We are all in this together.”

While the OccupySylva rally last fall was organized under the auspices of the county’s Democratic party, the Democratic mantle of that event seems to have lifted, though there are certainly Democrats actively involved.

OccupyWNC is a self-described “diverse and nonpartisan coalition that acts to promote economic and social justice for the 99 plus 1 percent,” according to information provided by Lomax that has been officially approved by this very unofficial group.

OccupyWNC is open to all and seeks consensus through shared leadership, as it’s done on a national level in the Occupy events.

Lucy Christopher of Cashiers said that she became involved because of her reaction to the changes in the Middle East, and a sense of something new in the world.

“That restless unwillingness to continue with the status quo is now alive in my own country and in the neighboring part of my state,” Christopher said in an email interview. “I believe that our national security is threatened from within by its enormous economic disparity. I want a more just world for all of us, including my children and grandchildren.”

Lomax said that current financial and political situations shaping the nation are “simply not right.” Lomax cited some of the group’s dissatisfactions, including corporate ownership over most media outlets, which members believe means the message is controlled, and corporate ownership of the telecommunications industry, which is leading to increasing attempts to place restrictions on the Internet.

Though not an active conspiracy, the “1 percent,” Lomax said, is a loosely bound group of people who share common interests and, individually, great wealth.

“There’s 400 or so families involved — not that many,” he said. “And they certainly know each other, and go in the same circles. They are openly working to control legislation and are not hiding the fact that they are buying elections.”

Lomax said the Occupy movement has a much more powerful weapon than the money controlled by the 1 percent.

“We have the people,” Lomax said.

Rally with OccupyWNC for change

A nationwide rally will have its place in Western North Carolina on the streets of Bryson City at the federal building on Main Street from 11 a.m. to 2 p.m Friday, Jan. 20. Occupy groups across the nation want a constitutional amendment to end “corporate personhood and legalize Democracy.”

Attend the next OccupyWNC meeting

The OccupyWNC General Assembly meets most Tuesdays from 7 p.m. to 8:30 p.m. at the Jackson County Justice Center in Room 220.

Get more information by emailing This email address is being protected from spambots. You need JavaScript enabled to view it., or visit www.facebook.com/pages/OccupyWNC/243008235753789.

The number of people applying for library cards in Jackson County has doubled since the new library opened this summer.

Jackson’s striking increase in library use in part is a testament to just how low use was before. A dismally undersized library, limited programs and a small collection led to abnormally low per capita use at its former location. In fact, Jackson had the lowest circulation per capita and fewer library card holders per capita compared to surrounding counties — and was well under the state average in those benchmark areas.

When planning for a new library began in earnest four years ago, librarians cautioned the county not to put too much stock in the number of past library users as a yardstick for how big the future library should be. New libraries are like self-fulfilling prophecies, with more users suddenly crawling out of the woodworks as soon as its doors open.

So while it’s no surprise that library use has gone up, no one anticipated it would go up by as much as it has.

Jackson’s has gone up by much more than other counties that have recently built new libraries.

• After building new libraries, Macon County saw only a 15 percent increase in the number of people applying for new library cards, Polk saw 12 percent increase and Transylvania County saw 58 percent — nothing close to the 100 percent increase in Jackson.

• Jackson’s new library has increased by 38 percent in circulation of materials. Compared to Macon’s circulation increase of 17 percent, Transylvania’s by 27 percent and Polk’s by 20 percent.

And, with 28 public computers, computer use is up an amazing 154 percent.

A counter on the front door is also logging a huge increase in the number of library visits. For that stat, Jackson County Head Librarian Dottie Brunette said that it isn’t just people living in Jackson County driving the higher numbers, however, though they obviously are beating a track into the library.

“Daily, we get people in just to look at it,” Brunette said.

Insanely popular

The new Jackson County library in Sylva has seen skyrocketing use since it opened this summer. These numbers tell the tale, comparing use between July and November of this year at the new library compared to the same five months of last year in the old library.

                                         Old    New

Items checked out    34,735    48,112

Computer sessions    5,501    14,196

Special programs        78    382

Everyone who has seen and toured Jackson County’s new public library knows that it’s beautiful, but now the state has put an official stamp on that fact.

The library recently won the Outstanding Facility Award for new libraries larger than 26,000 square feet presented by the N.C. Public Libraries Directors Association.

Library patrons last week said they weren’t the least surprised to hear the facility was a state winner when it comes to beauty, functionality and technology.

“I love this library,” said Karen Wall, who was working on her laptop in the reference section one day last week. She was seated in a comfortable chair at a desk near huge windows affording a bird’s eye view of the Plott-Balsams mountain range.

SEE ALSO: New Jackson library a self-fulfilling prophecy

Wall described herself as a grateful library user. She is a voracious reader, one of those people who have two or more books going at a time. Fiction, nonfiction, it matters not just so long as the books involved are captivating.

“There’s a joy for me to be able to come here,” Wall said, gesturing toward the view.

That sentiment holds true for Becky Foxx of Sylva, too. Foxx’s one complaint is that the books aren’t as clearly labeled, by topics, as they were in the old library on Main Street. She was searching near the audio section for spiritual and self-help books, which were located several shelves from where Foxx actually was hunting. With 5,500 linear feet of shelving capacity — over one-mile of shelving if stretched out end to end — Foxx was finding navigation at the new county library a bit of a challenge.

That one irritant aside, Foxx loves her library. Like Wall, she said it was well worth every penny spent despite some grumbling over the price tag in certain quarters.

Jackson County’s library towers over Sylva — 107 steps up from Main Street — attached to the back of the historic courthouse complex. The new library cost $8 million, a project that also included renovating the historic courthouse as an auditorium and community meeting space.

The Jackson County Friends of the Library raised $1.8 million to outfit and furnish the new library. The cost per square foot was $282, including construction, landscaping, site improvements, architect and consultant fees and the furniture and equipment.

The librarian accept the facilities award last month in Greensboro where she presented a PowerPoint slideshow about the building at a showcase of the state awards given for facilities, programs, staff development and service innovation.

McMillan, Pazdan, Smith Architecture designed the library for Jackson County.

If there’s been one major challenge for Jackson County’s new library, it’s been parking. There just isn’t enough space on the 2.8-acre site, at least close-by, to meet demand.

There are only 73 parking spaces on top of the hill. To save those spots for library visitors, employees park in a lot down below and hoof it up the hill either from a small parking lot on Keener Street or from Mark Watson Park. The county recently improved a trail up leading the back side of the hill from Mark Watson Park and added a handrail to make the route more friendly.

Rumors of an impending closing to the contrary, The Coffee Shop in Sylva is not shutting down, owner Phyllis Gibson said this week.

“We’ve heard it, too,” Gibson said. “I had a woman customer come in this morning and say she’d been praying over it.”

The rumor includes actual nitty-gritty details. That Gibson plans to close the Sylva mainstay for burgers, fries and slices of pie not for economic reasons, but because she and the workers there are tired. The Coffee Shop opened in 1926.

“We are tired,” Gibson said in reply. “But that don’t make no difference — we’re still not closing.”

Gibson said that a slew of recent business shutdowns in Sylva might have fueled the rumor of The Coffee Shop’s imminent demise, particularly the recent shutdown of Annie’s Naturally Bakery on Main Street. Additionally, 49-year-old Cope’s Superette will close next week. The decades-old Kentucky Fried Chicken on N.C 107 closed a few weeks ago, too.