When you are in the presence of the woodwork by Ben Grant, you find yourself captivated by the contours of his pieces.

So, what do you make of it all?

He is a welcomed voice of reason in a planet seemingly gone mad.

For the last four decades, Henry Rollins has remained a thorn in the side of pop culture and world politics. Though he remains elusive in definition, he’s accessible to those in need of some truth in an era where the battle of appearance versus reality is hitting a crucial tipping point.

Nobody ever seems to know.

New Year’s Eve is the same day every go around, and yet, why is it nobody pulls the trigger on party plans until the last minute? Year after year, I find myself in this predicament, where I ask all month what everybody is up to for the ball drop. One-by-one they shrug their shoulders without a clue.

The sound echoes a tone of inclusion and timelessness.

When you listen to Langhorne Slim, you’re hearing something oddly familiar, but also new and innovative at the same time. You let the songs soak into your skin, pushing ever so deeper into your carefully guarded soul. The words remind you of your past, faces you haven’t seen in years, but miss dearly. Each melody conjures memories, perhaps cherished moments, of loved ones either six feet under and long gone or six feet away where the emotional distance could still be bridged with a simple interaction.

Once the roads became sketchy, I became familiar with the territory.

The crunching kept catching my attention.

After finding a scarce parking space, it was a short, careful stroll from the Montford neighborhood of downtown Asheville to the U.S. Cellular Center for the 29th annual Christmas Jam last Saturday evening.

Catch her if you can.

In the last two or so years, the name “Margo Price” has overtaken brightly lit marquees across the country and late night television programs around the world.

“I think not having the estate tax recognizes the people that are investing. As opposed to those that are just spending every darn penny they have, whether it’s on booze or women or movies.”

— Sen. Charles E. Grassley (R-Iowa)

I’ve lived in Haywood County 1,931 days. It’s also the exact number of days I’ve known Balsam Range.

Within the first hour of my first day in these mountains, I befriended the members of this Western North Carolina bluegrass act. The engine of my truck was still hot due to a nonstop 16-hour/1,000-mile overnight drive from my native Upstate New York to my new gig as the arts and entertainment editor of The Smoky Mountain News in Waynesville.

That slow walk from the car.

When I was 16 years old, I entered the American workforce. I was the breakfast and lunch cook for McDonald’s in Champlain, New York. And it was that slow walk from my rusted out 1989 Toyota Camry to the side entrance under the bright yellow arches, into another morning and early afternoon amid the chaos of the fast food world.

They stick out.

In a city like Asheville and in a region like Western North Carolina, world-renowned for bluegrass and Americana music, being a rock-n-roll band is more the exception than the norm.

It’s the carrot.

For the better part of the last 12 years, Rolling Stone magazine has been a carrot dangling in front of my eager, overzealous — and often restless — journalistic spirit.

It’s about finding a balance between your creative soul and your sanity.

“When you feel you’re doing what you’re supposed to be doing, and things aren’t going well at the same time, and you still believe in what you’re doing, but there’s no relief,” said Thomas Johnson. “It makes you feel crazy, because you believe in what you’re doing, and you think it’s important and good, and it’s not connecting. Am I crazy? Am I too close to it?”

Taken too soon.

It’s the three words one person — let alone one family or one community — never wants to here when it comes to a young person passing away before they could blossom and take over the world, usually with a signature smile or laugh (or both).

With sunshine spilling into the taproom of Currahee Brewing Company in Franklin one recent afternoon, brewmaster Taylor Yates is all smiles. A hearty beverage raised high, the sun’s rays are a cherry on top of the big news currently floating around the facility.

“For us being so new, this is a huge thing,” he said. “We’re still trying to get established. Something like this on a national level just does wonders for us. When you’re new, it really gets you that exposure and notoriety you hope for.”

My first love. Baseball.

The quintessential American pastime. The thing of which childhood dreams are made. The playing grounds of heroes, either ready to be made or already part of the centuries-old lore surrounding a game that knows no bounds in its depths of imagination and sheer ability to capture yours.

It was right around the third song or so that the goosebumps kept appearing.

Up and down my arms, the raised hair and skin resulting from the massive sound and stage presence of the Foo Fighters, the saviors of rock-n-roll in the modern era, one could easily surmise.

For a moment, I thought the dog was going to charge me.

Running along the quiet back country of Southwest Georgia, dirt roads that make up most of the escape routes into the abyss ‘round these parts, I could see the small creature out of the corner of my eye. Once I realized he had stopped at the end of the driveway, my primal instincts disappeared, my eyes aimed further down the bright dirt path my feet playfully and joyously jogged atop.

Why not?

Why not include Greensky Bluegrass in the sacred — sometimes stale and stuffy — pantheon that is bluegrass music? Why not include the Michigan group in the annual celebrations of string and acoustic music, which mainly originated in Western North Carolina and greater Southern Appalachia? Why not consider the quintet a direct descendent (a rebellious one albeit) of the original rebel himself — Bill Monroe?

Three pickup trucks. One stretch of highway.

Since 2005, I’ve routinely traversed a never-ending stretch of Interstate 81 from north-central Pennsylvania into Eastern Tennessee. Some of the trips were for business, others for pleasure, with every single trek one of personal reflection amid a wide-spectrum of the beauty — physical and spiritual — that is singular to the identity of America.

I’ve never shot a gun.

Nope. Not once. I come from a family of gun owners. I’ve held plenty of guns. I’ve even attended a handful of gun shows. And I enjoyed learning about each one, the feeling of history and power within my fingers. But, I’ve never shot one. No interest, really. Honestly.

Amid the innumerable reasons we love Western North Carolina, the fall foliage of October might be the common denominator that resides on everyone’s list.

As the leaves change from green to yellow, orange and red, and the air gets a tad crisp in nature, so does the uptick in local and regional festivities.

Tom Petty.

I can’t remember a time without him and his band’s music in my life. It’s always been there, just like Bob Dylan and Willie Nelson have always been there for my parents’ generation. I grew up on the sounds of Tom Petty & The Heartbreakers. We all did. Every single one of us, whether we realize it or not.

It’s the internal struggle.

Do you participate in life and soak it in like a sponge being dropped into a bucket of water, or do you simply walk to the side and stay out of the way of the trials and tribulations hurled at those who aim to find and achieve some semblance of success?

You could see it in his eyes.

Sitting across from James “Jim” Joyce in his office in downtown Waynesville, his direct eye contact, and even more direct answers to questions, alludes to a man who has seen as much destruction as creation.

He suggested two. I bought three.

Standing in the small main office of the Woodsmoke Campground in Unicoi, Tennessee, I grabbed the three bundles of firewood and tossed them into my rusty, musty pickup truck and tracked down campsite #4.

There is no middle ground.

With Jackson County storyteller/playwright Gary Carden, you either love the guy or you tolerate him, a curmudgeon some might say. Luckily, most folks in Western North Carolina appreciate and revel in the singular, beloved personality that is Carden — an increasingly rare voice that serves as a vital window into the past.

Ugh.

The moment my girlfriend handed over my soaking wet smart phone, a shiver of isolation ran up my spine. That’s the last time I try to sneak a water bottle of cheap domestic beer in her purse into a bluegrass show, let alone have my phone also in said purse for “safe keeping.”

I ain’t perfect.

And the older I get, the more I realize just how true that statement is. Along with the new wrinkles and ever-present grey hairs I notice in the mirror, I also am noticing more of what is behind the eyes staring right back at me.

It’s the intersection of American blues and British rock.

When you throw some Foghat onto the stereo, you’re entering a realm as big and powerful as the tunes radiating from a quartet that was at the heart of the soundtrack of the 1970s.

It gets to the point without distraction.

Folk music — the intersection of the human heart and the greater world — lies at the foundation of American culture. From the folk traditions and musicians of the British Isles that eventually made their way to the high peaks and low valleys of Southern Appalachia centuries ago, folk music is a timeless sound nurturing urgent lyrics.

I can still feel the cold air, the sense of hopelessness.

Watching the clips of the massive rainfall and flooding in Houston and greater Texas this week, I can’t help but simply direct my eyes towards the confused, helpless faces, the scenes of utter destruction at the hands of Hurricane Harvey. It conjured a slew of images in my own memory of the “North American Ice Storm of 1998.”

An iconic mandolin and fiddle player, Sam Bush has rewritten the game of bluegrass, especially when it comes to live performance within the genres of string, acoustic and rock-n-roll music.

Among his many accolades and awards was his 2001 “Album of the Year” Grammy as part of the “O Brother, Where Art Thou” film soundtrack. With his early days as a member of the groundbreaking New Grass Revival, to his current role fronting the endless touring juggernaut that is the Sam Bush Band, he continues to be an open book — in inspiration and in conversation.

The trifecta.

By this past Monday morning, I was running on fumes heading back to my humble abode in downtown Waynesville in preparation for the solar eclipse. Three nights. Three bands. Three genres of music — and also attitudes — that shaped who I ultimately am today.

“Darkness cannot drive out darkness, only light can do that. Hate cannot drive out hate, only love can do that.”

— Dr. Martin Luther King, Jr.

In the 1980 cult classic film “The Blues Brothers,” Jake and Elwood are stuck in traffic as a Nazi rally blocks the bridge they need to cross. When they ask a nearby police officer about what’s going on, the officer shrugs, “Ah, those bums won their court case, so they’re marching today.” Jake replies, “What bums?” The officer shoots back, “The f**ckin’ Nazi party.”

At 2:35 p.m. on Aug. 21, Western North Carolina residents and visitors will have the chance to watch as the moon moves fully in front of the sun for the first time in 26 years.

Ten years ago this week I left my native Upstate New York for my first journalism gig out of college in the tiny mountain town of Driggs, Idaho.

In the annals of bluegrass history, the chapter on multi-instrumentalist Tim O’Brien is not only long and bountiful, it’s also ongoing — a continual evolution of string music and melodic exploration. O’Brien hails from Wheeling, West Virginia, home of the WWVA Jamboree, which — since 1933 — is one of the most popular country and variety radio programs, second in longevity after the “Grand Ole Opry.”

As a teenager, O’Brien dropped out of college in 1973 and hit the road with dreams of becoming a professional musician. By the late 1970s, he ended up in Colorado, forming the groundbreaking newgrass act Hot Rize (which won the first International Bluegrass Music Association award for “Entertainer of the Year” in 1990).

It does mean something.

Sitting in the darkness of the Grail Moviehouse last Thursday, this overwhelming feeling of deep sadness and endless curiosity washed over me. It was as if everything I’ve ever known, ever thought about or questioned, meant nothing at all — a huge waste of time, a merciless vacuum of birth, death, and destruction.