Sitting on a bench in the lobby of the Raleigh Memorial Auditorium last Thursday evening, Marc Pruett waits quietly for the rest of his band, Balsam Range, to arrive for the International Bluegrass Music Association award show. 

In the digital age that is the 21st century, and in many aspects of this modern era, the culture and history of Western North Carolina and greater Southern Appalachia is disappearing. 

Whether it be an old-timer passing down their wisdom or listening to a well-aged recording of someone long gone from this earth, or vast shelves of often forgotten books gathering dust at your local library or historical society, how one tracks down the essence of who came before us, and who will surely come after, resides in the annals of storytelling. 

Ten years into his tenure with Balsam Range, Tim Surrett can only shake his head.

“The most amazing factor is that somebody hasn’t gotten killed in 10 years,” he chuckled. “It’s amazing because every band in the world is one bad weekend from nonexistence. We’ve been through a lot, ups and downs, frustrations and traveling distances, and it’s still relevant after 10 years. I don’t know how long that will last, but it’s cool to me that it’s still top-shelf relevant.”

Balsam Range will be beefing up its annual Art of Music Festival next year thanks to a $35,000 grant from the Haywood County Tourism Development Authority.

“It’s exciting to think about what Haywood County could be. The desire is there.”

— Buddy Melton, fiddler/singer, Balsam Range

It’s inspiring when you come across people who have both a vision and the wherewithal to turn it into reality. It makes me want to climb on board with them and be a part of that success. That’s what I see happening with local bluegrass supergroup Balsam Range and its “Art of Music Festival.”

I’ve lived in Haywood County 1,931 days. It’s also the exact number of days I’ve known Balsam Range.

Within the first hour of my first day in these mountains, I befriended the members of this Western North Carolina bluegrass act. The engine of my truck was still hot due to a nonstop 16-hour/1,000-mile overnight drive from my native Upstate New York to my new gig as the arts and entertainment editor of The Smoky Mountain News in Waynesville.

Leading this year’s International Bluegrass Music Association awards with eight nominations, Haywood County group Balsam Range is atop the mountain of bluegrass.

The eternal struggle of bluegrass is being able to balance evolution with tradition.

How does one adhere to the pickin’ and grinnin’ ways of the old days, but also be able to stretch the boundaries into new and innovative realms? That dilemma currently lies at the feet on the bluegrass world. And yet, as that question remains, so does the internal drive by all of the genre’s musicians to ensure the preservation and perpetuation of this melodic force at the foundation of this country.

Though they walked away empty-handed at last week’s International Bluegrass Music Association award show in Raleigh, acclaimed group Balsam Range has plenty to be proud of.

“David Holt’s State of Music — Live” will take to the stage from 3 to 5:30 p.m. Sunday, Nov. 22, in the John W. Bardo Fine and Performing Arts Center at Western Carolina University.

Acts scheduled to join Holt, an icon of traditional music and storytelling, are international sensation Rhiannon Giddens of the Carolina Chocolate Drops, award-winning bluegrass favorites Balsam Range, emerging ballad singer Josh Goforth, and the African-American gospel duo of Wilbur Tharpe and Lena Mae Perry, performing as The Branchettes.