In the shadow of the pines: Ty Gilpin of Unspoken Tradition

With a slew of chart-topping bluegrass hits, including the No. 1 “Dark Side of the Mountain,” Cherryville-based string quintet Unspoken Tradition represents the latest chapter of the “high, lonesome sound” in Western North Carolina and greater Southern Appalachia.

This must be the place: Ode to the bluegrass awards, ode to a sea change

Finishing my beer and burger, I emerged from the depths of Jimmy V’s bar in the lobby of the Sheraton hotel in downtown Raleigh last Thursday evening. In a sport coat, dress shirt and bolo tie, I headed for the Duke Energy Center for the Performing Arts. 

Travelin’ this lonesome road: Jeremy Garrett of The Infamous Stringdusters

With its latest album release, “A Tribute to Bill Monroe,” The Infamous Stringdusters pay homage to the long gone, yet dearly beloved “Father of Bluegrass” himself. 

The melodic bridge of that ‘high, lonesome sound’: A conversation with Del McCoury

When it comes to the preservation and perpetuation of bluegrass music in the 21st century, Del McCoury is the leading force and signature face of its strength and survival moving forward.

Rivers, rains and runaway trains: Tim Surrett of Balsam Range

In its 14 years together, Haywood County’s own Balsam Range has risen into the upper echelon as one of the marquee acts in the national and international bluegrass scene — this once in a generation blend of songbird harmonies and lightning fast finger pickin’. 

Strike not our brother down: Steve McMurry of Acoustic Syndicate

In the pantheon of legendary jam-grass acts, a handful of pioneering bands broke new ground in the 1980s and 1990s by creating a sonic landscape that was a harmonious blend of bluegrass, folk, jazz and acoustic rock sensibilities — this emerging scene focused on rollicking live shows and keen improvisational aspects. 

Courage for the road: Anders Beck of Greensky Bluegrass

Coming into 2020, Greensky Bluegrass was looking forward to celebrating its 20th anniversary. A relentless national touring act, it would be countless shows and festivals — in front of an endless sea of folks who travel far and wide to listen and immerse themselves in the band’s seamless blend of bluegrass, jam and rock music. 

Turn up the radio: Canton station remains a cherished community gem

Not far from Main Street in Canton and the bright lights of the nearby football stadium is an unassuming one-story commercial building along Pisgah Drive. With a couple of vehicles in the parking lot last Thursday evening, a lone light radiates from the front window of WPTL. 

You can’t stop me from dreaming: Bluegrass banjo legend Marc Pruett releases memoir

It’s just after lunchtime at the Haywood County Health Department on a recent chilly afternoon in Clyde. And standing in the front window of the lobby awaiting his appointment for a sit-down interview is Marc Pruett. 

Formerly the county’s erosion control officer for the better part of a quarter-century, Pruett retired some three years ago, only to be asked to come back part-time as the much-needed development services technician (now that the erosion and planning offices have combined). His skill set and personable approach to his position have made him invaluable to those who not only work alongside Pruett, but also cross paths with him — personally and professionally.

Since I laid my burden down

In just seven years together, the members of Sister Sadie have risen into the upper echelon of the modern bluegrass scene. 

From a Grammy nomination for “Best Bluegrass Album” (for “Sister Sadie II”) to a handful of appearances on the Grand Ole Opry, 2019 was a milestone year for the group. This past September, the band received the International Bluegrass Music Association (IBMA) award for “Vocal Group of the Year” — the first all-female act in the history of the IBMAs to do so. 

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